The Abandoned Farmers: His Humorous Account of a Retreat from the City to the FarmCobb, Irvin S. (Irvin Shrewsbury)
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The Abandoned Farmers: His Humorous Account of a Retreat from the City to the Farm
Cobb, Irvin S. (Irvin Shrewsbury)
Farms -- Recreational use -- United States -- Fiction; Humorous stories
The poet chronicler, Mr. English, is a trifle vague on this point, but
considering everything it is but fair to infer that Alice's funeral was
practically by acclamation. Beyond question it must have been a relief
to all concerned, including the family of deceased, to feel that a
person so grievously afflicted mentally was at last permanently
planted under a certain slab of stone rather loosely described in the
conversation just referred to as granite so gray. One wishes Mr. English
had been a trifle more exact in furnishing the particular details of
this sad case. Still, I suppose it is hard for a poet to be technical
and poetical at the same time. And though he failed to go into
particulars I am quite sure that when asked if he didn't remember Alice,
Mr. Bolt answered in the decided affirmative. It is a cinch he couldn't
have forgotten her, the official half-wit and lightning-change artist of
the county.
But whereas this unfortunate young woman's conduct may only be accounted
for on the grounds of a total irresponsibility, there is method behind
the same sharply contrasted shift of mood as displayed by the chief
salesman of the auction room. He is thrilled--visibly and physically
thrilled--at each rapidly recurring opportunity of presenting an article
for disposal to the highest bidder; hardly can he control his emotions
of joy at the prospect of offering this particular object to an audience
of discriminating tastes and balanced judgment. But mark the change:
How instantly, how completely does a devastating and poignant distress
overcome him when his hearers perversely decline to enter into spirited
competition for a thing so priceless! A sob rises in his throat, choking
his utterance to a degree where it becomes impossible for him to speak
more than three or four hundred words per minute; grief dims his eye;
regret--not on his own account but for others--droops his shoulders.
When it comes to showing distress he makes that poor feeble-minded Alice
girl look like a beginner. Yet repeated shocks of this character fail
to daunt the sunniness of his true nature. The harder his spirits are
dashed down to earth the greater the resiliency and the buoyancy with
which they bounce up again. The man has a soul of new rubber!
Let us draw near and scrutinize the scene that unfolds itself at each
presentation: The attendants fetch out an offering described in the
printed catalogue, let us say, as Number 77 A: Oriental Lamp with Silk
Shade. Reverently they place it upon a velvet-covered stand in a space
at the back end of the salesroom, where a platform is inclosed in
draperies with lights so disposed overhead and in the wings as to shed
a soft radiance upon the inclosed area. The helpers fade out of the
picture respectfully. A tiny pause ensues; this stage wait has been
skillfully timed; a suitable atmosphere subtly has been created. Oh,
believe me, in New York we do these things with a proper regard for the
dramatic values--culture governs all!
Public-domain text, read in full here on John Shaqi.
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