"I went to his room," the detective hurried on, "and found a lot of his
clothes and his stationery and his toilet articles marked with the same
cipher. I knew my man had made a big mistake--the sort of mistake every
criminal makes no matter how clever he is--and I had him. But that isn't,
by any means, all. Don't look so distressed, Mr. Graham. There isn't the
slightest chance for him. You see I repaired the lock, and, as soon as it
was day, closed the room and went outside to look for signs. Since
nightfall no one had come legitimately through the court except Doctor
Groom and myself. Our footprints were all right--making a straight line
along the path to the front door. In the soft earth by the fountain I
found another and a smaller print, made by a very neat shoe, sir, and I
said to myself: 'There is almost certainly the footprint of the
murderer.'
"There were plenty of others coming across the grass. He'd evidently
avoided the path. And there was one directly under the open window where
the body lies. It's still there. Perhaps you can see it. No matter.
That's the last one I found. The prints ceased there. There wasn't a one
going back, and I was fair up a stump. Then I saw a little undefined
sign of pressure on the grass, and I got an idea. 'Suppose,' I says, 'my
man took his shoes off and went around in his stockinged feet!' I
couldn't understand, though, why he hadn't thought of that before. I went
back to Robert Blackburn's room and got one of his shoes, and ran into a
snag again. The sole of the shoe was a trifle larger than the footprints.
Every one of his shoes I tried was the same way. I argued that the
handkerchief was enough, but I wanted this other evidence. I simply had
to clear up these queer footprints.
Public-domain text, read in full here on John Shaqi.
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