The dim, vast room, as he advanced, imposed upon him a sense of
isolation. Katherine in the upper hall, the others downstairs, whose
voices no longer reached him, seemed all at once far away. He stood in a
place lonelier and more remote than the piece of woods where he had
momentarily opened his eyes last night; and, instead of the straining
trees and the figure in the black mask which he had called his
conscience, he had for motion and companionship only the swaying of the
curtains in the breeze from the open window and the dark, prostrate thing
whose face as he went closer was like a white mask--a mask with a fixed
and malevolent sneer.
The wind caught the flame of the candle, making it flicker. Tenuous
shadows commenced to dance across the walls. He paused with a tightening
throat, for the form on the bed seemed moving, too, with sly and scarcely
perceptible gestures. Then he understood. It was the effect of the
shaking candle, and he forced himself to go on, but a sense of a multiple
companionship accompanied him--a sense of a shapeless, soundless
companionship that projected an idea of a steady regard. There swept
through his mind a procession of figures in quaint dress and with faces
not unlike his own, remembered from portraits and family legends, men and
women to whom this room had been familiar, within whose limits they had
suffered, cried out a too-powerful agony, and died. It seemed to him that
he waited for voices to guide him, to urge him on as Katherine had urged
him, or to drive him back, because he was an intruder in a company whose
habit was strange and terrifying.
He forced his glance from the shadows which seemed more active along the
walls. He raised his candle and stared at the dead man. The cast was
undoubtedly there. The coat, stretched tightly across the breast,
outlined it. He stood at the side of the bed. He had only to bend and
place his hand in the pocket which the cast filled awkwardly. The wind
alone, he saw, wasn't responsible for the shaking of the candle. His hand
shook as the shadows shook, as the thing on the bed shook. The sense of
loneliness grew upon him until it became complete, appalling. For the
first time he understood that loneliness can possess a ponderable
quality. It was, he felt, potent and active in the room--a thing he
couldn't understand, or challenge, or overcome.
His hand tightened. He thought of Katherine guarding the corridor; of
Paredes and Doctor Groom, held downstairs by Graham; of the county
authorities hurrying to seize this evidence that would convict him; and
he realized that his duty and his excuse were clear. He understood that
just now he had been captured by a force undefinable in terms of the
world he knew. For a moment he eluded the stealthy fleshless hands of its
impalpable skirmishers. He reached impulsively out to the dead man. He
was about to place his fingers in the pocket, which, after all was said
and done, held his life.
Public-domain text, read in full here on John Shaqi.
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