The Abbatial Crosier; or, Bonaik and Septimine. A Tale of a Medieval AbbessSue, Eugène
History
The Abbatial Crosier; or, Bonaik and Septimine. A Tale of a Medieval Abbess
Sue, Eugène
France -- History -- To 987 -- Fiction
"I was sixteen and a half years old the last time I saw him.... His
father was called Eucher and his mother Terragie. Noticing that his son
was since early boyhood ever fashioning in wood some figure or small
utensil of pretty design, his father apprenticed him to a skilful
goldsmith of Limoges, named Master Abbon, who at that epoch also
directed the mint in the town of Limoges. After having acquired a good
deal of skill in his art, to the point that he surpassed his master,
Eloi left the neighborhood and his family, much regretted by everybody,
he being beloved by all on account of his cheerful disposition, the
mildness of his nature and his excellent heart. He went to seek his
fortune in Paris, one of the residential towns of the Frankish kings.
Eloi was recommended by his old master to a certain Bobbon, a goldsmith
and treasurer of Clotaire II. Having accepted Eloi as a workman, Bobbon
soon perceived the young man's talent. One day King Clotaire ordered a
chair of solid gold, wrought with art and ornamented with precious
stones."
"A chair of solid gold! Father Bonaik, what magnificence! Nothing is too
costly to these kings."
"Alack, my boys, the gold cost the Frankish kings in Gaul only the
trouble of picking it up, and they were not slow at it. Well, then,
Clotaire II had the fancy to own a gold chair. But nobody in the
workshops of the palace was able to accomplish such a task. The
treasurer Bobbon knew the skill of Eloi and proposed to him to undertake
the work. Eloi accepted; he went to the forge and the crucible, and out
of the large quantity of gold given for one chair he fashioned two. He
then took to the palace one of the two chairs and hid the other--"
"Ho! Ho!" said one of the young slaves laughing. "The good Eloi did as
millers do who are sharp, artful and not very scrupulous. He drew double
pay for one bag--"
"Wait, my boys, wait before you judge our venerable master. Charmed at
the elegance and delicacy of the artisan's work, Clotaire II issued
orders on the spot to recompense him generously. Eloi thereupon showed
the second chair to Bobbon saying: 'This is what I spent the rest of
your gold in so as to lose nothing of the stuff. I have acted as you
would have wished.'"
"You are right, Father Bonaik, we were too quick in judging the good
Eloi."
"That act of probity, so honorable in the poor artisan, was the start
of his future fortune. Clotaire II wished to attach him to his court as
a goldsmith. It was then that Eloi achieved his finest productions:
vases of chiseled gold ornamented with rubies, pearls and diamonds;
pieces of furniture of solid silver and admirable design and set off
with chiseled stone; reliquaries, curtain pins, Bible cases encrusted
with carbuncles.... I saw the chalice of enameled gold more than a foot
high that he made for the abbey of Chelles. It was a miracle in enamel
and gold."
"It is enough to dazzle one to hear you tell of such beautiful works,
Father Bonaik."
Public-domain text, read in full here on John Shaqi.
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