“Long ago a famous actress suddenly dropped dead at the close of a splendidly played tragedy. She was carried home, and preparations were made to bury her. The play had been gotten up with great care and expense, and a fine actor was the hero. The public demanded a repetition, and an inferior person was engaged to take the dead lady's part. A day's delay had been necessary, but when the night came the house was crowded. They waited both before and behind the curtain for the debut of the new actress, with much curiosity. She stood waiting for her cue, but as it was given, to the amazement of all, the great tragedienne glided upon the stage. Pale as marble, and with a strange fire in her eyes, strange pathos in her voice, strange power in her acting, she went through her part, and at the close vanished as mysteriously as she came. Great was the excitement that night, and intense the astonishment and horror next day when it was whispered abroad that the dead woman never had revived, but had lain in her coffin before the eyes of watchers all the evening, when hundreds fancied they were applauding her at the theater. The mystery never was cleared up, and Paris was divided by two opinions: one that some person marvelously like Madame Z. had personated her for the sake of a sensation; the other that the ghost of the dead actress, unable to free itself from the old duties so full of fascination to an ambitious and successful woman, had played for the last time the part which had made her famous.” “Where did you find that, Tavie? It's very French, and not bad if you invented it,” said Sir Jasper. “I read it in an old book, where it was much better told. Now, Edith, there is just time for your tale.” As the word “Edith” passed her lips, again Treherne started and eyed them both, and again they smiled, as Mrs. Snowdon caressed the smooth cheek leaning on her knee, and looking full at him began the last recital.