The Abominations of Modern SocietyTalmage, T. De Witt (Thomas De Witt)
Religion
The Abominations of Modern Society
Talmage, T. De Witt (Thomas De Witt)
Conduct of life
I never weary of looking upon the life and brilliancy of the city in
the _first_ watch. That is the hour when the stores are closing. The
laboring men, having quitted the scaffolding and the shop, are on
their way home. It rejoices me to give them my seat in the city car.
They have stood and hammered away all day. Their feet are weary. They
are exhausted with the tug of work. They are mostly cheerful. With
appetites sharpened on the swift turner's wheel and the carpenter's
whetstone, they seek the evening meal. The clerks, too, have broken
away from the counter, and with brain weary of the long line of
figures, and the whims of those who go a-shopping, seek the face of
mother, or wife and child. The merchants are unharnessing themselves
from their anxieties, on their way up the street. The boys that lock
up are heaving away at the shutters, shoving the heavy bolts, and
taking a last look at the fire to see that all is safe. The streets
are thronged with young men, setting out from the great centres of
bargain-making.
Let idlers clear the street, and give right of way to the besweated
artisans and merchants! They have _earned_ their bread, and are now on
their way home to get it.
The lights in full jet hang over ten thousand evening repasts--the
parents at either end of the table, the children between. Thank God!
"who setteth the solitary in families!"
A few hours later, and all the places of amusement, good and bad, are
in full tide. Lovers of art, catalogue in hand, stroll through the
galleries and discuss the pictures. The ball-room is resplendent with
the rich apparel of those who, on either side of the white, glistening
boards, await the signal from the orchestra. The footlights of the
theatre flash up; the bell rings, and the curtain rises; and out from
the gorgeous scenery glide the actors, greeted with the vociferation
of the expectant multitudes. Concert-halls are lifted into enchantment
with the warble of one songstress, or swept out on a sea of tumultuous
feeling by the blast of brazen instruments. Drawing-rooms are filled
with all gracefulness of apparel, with all sweetness of sound, with
all splendor of manner; mirrors are catching up and multiplying the
scene, until it seems as if in infinite corridors there were garlanded
groups advancing and retreating.
The out-door air rings with laughter, and with the moving to and fro
of thousands on the great promenades. The dashing span, adrip with
the foam of the long country ride, rushes past as you halt at the
curb-stone.
Mirth, revelry, beauty, fashion, magnificence mingle in the great
metropolitan picture, until the thinking man goes home to think more
seriously, and the praying man to pray more earnestly.
A beautiful and overwhelming thing is the city in the first and second
watches of the night.
Public-domain text, read in full here on John Shaqi.
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