"Well, she's one of them. She's high society and all that stuff. She
could be running with the Blingum crowd now if she wanted to instead
of working for wages. Her old man's worth fifty millions if he's
worth a cent."
"Then what's she working on a paper for?--keeping some poor devil
out of a job."
"She and the old man fell out, had a tiff or something, about
the time he started to clean up San Francisco. She quit. That's
all--left home and got a job. And let me tell you one thing, Pat:
she can everlastingly sling English. There isn't a pen-pusher on the
Coast can touch her when she gets going."
Pat began to show interest, and Stubener hurried on.
"She writes poetry, too--the regular la-de-dah stuff, just like
you. Only I guess hers is better, because she published a whole book
of it once. And she writes up the shows. She interviews every big
actor that hits this burg."
"I've seen her name in the papers," Pat commented.
"Sure you have. And you're honored, Pat, by her coming to interview
you. It won't bother you any. I'll stick right by and give her most
of the dope myself. You know I've always done that."
Pat looked his gratitude.
"And another thing, Pat: don't forget you've got to put up with this
interviewing. It's part of your business. It's big advertising, and it
comes free. We can't buy it. It interests people, draws the crowds, and
it's crowds that pile up the gate receipts." He stopped and listened,
then looked at his watch. "I think that's her now. I'll go and get her
and bring her in. I'll tip it off to her to cut it short, you know,
and it won't take long." He turned in the doorway. "And be decent,
Pat. Don't shut up like a clam. Talk a bit to her when she asks
you questions."
Pat put the Sonnets on the table, took up a newspaper, and was
apparently deep in its contents when the two entered the room and he
stood up. The meeting was a mutual shock. When blue eyes met gray,
it was almost as if the man and the woman shouted triumphantly to
each other, as if each had found something sought and unexpected. But
this was for the instant only. Each had anticipated in the other
something so totally different that the next moment the clear cry of
recognition gave way to confusion. As is the way of women, she was
the first to achieve control, and she did it without having given
any outward sign that she had ever lost it. She advanced most of the
distance across the floor to meet Glendon. As for him, he scarcely
knew how he stumbled through the introduction. Here was a woman,
a WOMAN. He had not known that such a creature could exist. The few
women he had noticed had never prefigured this. He wondered what Old
Pat's judgment would have been of her, if she was the sort he had
recommended to hang on to with both his hands. He discovered that
in some way he was holding her hand. He looked at it, curious and
fascinated, marveling at its fragility.
Public-domain text, read in full here on John Shaqi.
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