The Academic Questions, Treatise De Finibus, and Tusculan Disputations, of M.T. Cicero, With a Sketch of the Greek Philosophers Mentioned by Cicero — John Shaqi
The Academic Questions, Treatise De Finibus, and Tusculan Disputations, of M.T. Cicero, With a Sketch of the Greek Philosophers Mentioned by CiceroCicero, Marcus Tullius
Philosophy
The Academic Questions, Treatise De Finibus, and Tusculan Disputations, of M.T. Cicero, With a Sketch of the Greek Philosophers Mentioned by Cicero
Cicero, Marcus Tullius
Ethics -- Early works to 1800; Happiness -- Early works to 1800
Pythagoras is said to have been the first who assumed the title of
φιλόσοφος; but there is great uncertainty as to the most material of his
philosophical and religious opinions. It is believed that he wrote nothing
himself, and that the earliest Pythagorean treatises were the work of
Philolaus, a contemporary of Socrates. It appears, however, that he
undertook to solve by reference to one single primary principle the
problem of the origin and constitution of the universe. His predilection
for mathematics led him to trace the origin of all things to _number_; for
“in _numbers_ he thought that they perceived many analogies of things that
exist and are produced, more than in fire, earth, or water: as, for
instance, they thought that a certain condition of numbers was justice;
another, soul and intellect, ... And moreover, seeing the conditions and
ratios of what pertains to harmony to consist in numbers, since other
things seemed in their entire nature to be formed in the likeness of
numbers, and in all nature numbers are the first, they supposed the
elements of numbers to be the elements of all things.” (Arist. Met. i. 5.)
Music and harmony too, played almost as important a part in the
Pythagorean system as mathematics, or numbers. His idea appears to be,
that order or harmony of relation is the regulating principle of the whole
universe. He drew out a list of ten pairs of antagonistic elements, and in
the octave and its different harmonic relations, he believed that he found
the ground of the connexion between them. In his system of the universe
_fire_ was the important element, occupying both the centre and the
remotest point of it; and being the vivifying principle of the whole.
Round the central fire the heavenly bodies he believed to move in a
regular circle; furthest off were the fixed stars; and then, in order, the
planets, the moon, the sun, the earth, and what he called ἀντίχθων, a sort
of other half of the earth, which was a distinct body from it, but moving
parallel to it.
The most distant region he called Olympus; the space between the fixed
stars and the moon he called κόσμος; the space between the moon and the
earth οὐρανός. He, or at least his disciples, taught that the earth
revolved on its axis, (though Philolaus taught that its revolutions were
not round its axis but round the central fire). The universe itself they
considered as a large sphere, and the intervals between the heavenly
bodies they thought were determined according to the laws and relations of
musical harmony. And from this theory arose the doctrine of the Music of
the Spheres; as the heavenly bodies in their motion occasioned a sort of
sound depending on their distances and velocities; and as these were
determined by the laws of harmonic intervals, the sounds, or notes, formed
a regular musical scale.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account