That art, therefore, does not help you against the sorites; inasmuch as it does not teach a man, who is using either the increasing or diminishing scale, what is the first point, or the last. May I not say that that same art, like Penelope undoing her web, at last undoes all the arguments which have gone before? Is that your fault, or ours? In truth, it is the foundation of dialectics, that whatever is enunciated (and that is what they call ἀξίωμα, which answers to our word _effatum_,) is either true or false. What, then, is the case? Are these true or false? If you say that you are speaking falsely, and that that is true, you are speaking falsely and telling the truth at the same time. This, forsooth, you say is inexplicable; and that is more odious than our language, when we call things uncomprehended, and not perceived. XXX. However, I will pass over all this. I ask, if those things cannot be explained, and if no means of judging of them is discovered, so that you can answer whether they are true or false, then what has become of that definition,—“That a proposition (_effatum_) is something which is either true or false?” After the facts are assumed I will add, that of them some are to be adopted, others impeached, because they are contrary to the first. What then do you think of this conclusion,—“If you say that the sun shines, and if you speak truth, therefore the sun does shine?” At all events you approve of the kind of argument, and you say that the conclusion has been most correctly inferred. Therefore, in teaching, you deliver that as the first mood in which to draw conclusions. Either, therefore, you will approve of every other conclusion in the same mood, or that art of yours is good for nothing. Consider, then, whether you are inclined to approve of this conclusion;—“If you say that you are a liar, and speak the truth, then you are a liar. But you do say that you are a liar, and you do speak the truth, therefore you are a liar.” How can you avoid approving of this conclusion, when you approved of the previous one of the same kind? These are the arguments of Chrysippus, which even he himself did not refute. For what could he do with such a conclusion as this,—“If it shines, it shines: but it does shine, therefore it does shine?” He must give in; for the principle of the connexion compels you to grant the last proposition after you have once granted the first. And in what does this conclusion differ from the other,—“If you lie, you lie; but you do lie, therefore you do lie?” You assert that it is impossible for you either to approve or disapprove of this: if so, how can you any more approve or disapprove of the other? If the art, or the principle, or the method, or the force of the one conclusion avails, they exist in exactly the same degree in both.