"Oh! you wasn't asleep, old Mist--wasn't you," sneered Miss Jerusha
Glory Ann Skamp, the sonorous and high-sounding title claimed by the
antiquated maiden lady as her rightful property; "you wasn't asleep
wasn't you? Oh, no! in course you wasn't! _You_ never sleep at all, do
you? Betsey Periwinkle never runs off with the meat, and the cold
vittals, or drinks the milk, or pokes her nose into the apple sass, or
punkin slap-jack, while you're a snoozin' in the corner, does she? Ain't
you 'shamed o' yourself, you nasty little black image, to stand up there
and talk to one as has been a mother to you year in and year out, like
that? Ar Lor'! there ain't nothin' but ungratytood in this 'ere world.
Betsey Periwinkle, you ugly brute! I see you a lookin' at the apple
sass, but just let me ketch you at it agin, that's all! Oh, my stars and
thingumbobs! the way I'm afflicted with that lazy little nigger and that
thievin' cat, and me a poor lone woman too! If it ain't enough to make a
body go and do something to themselves I should admire to know what is.
Here, you Fly! jump up and fry the pancakes for supper, and put the tea
to draw, and set that johnny-cake in the oven, and then set the table,
and don't be lazin' around like a singed cat all the time."
And having delivered herself of these commands all in a breath, with
the air of a Napoleon in petticoats, Miss Jerusha marched, with the
tramp of a grenadier, out of the kitchen into the "best room," drew
several yards of stocking from an apparently bottomless pocket,
deposited herself gingerly in the embraces of a cushioned rocking-chair,
the only sort of embrace Miss Jerusha had any faith in, and began
knitting away as if the fate of nations depended on it.
And while she sits there, straight, rigid, and erect as a church
steeple, let me describe her and the house itself more minutely.
A New England "best room!" Who does not know what it looks like? The
shining, yellow-painted floor, whereon no sacrilegious speck of dust
ever rests; the six stiff-backed, cane-seated chairs, standing around
like grim sentinels on duty, in the exact position to an inch wherein
they have stood ever since they were chairs; the huge black chest of
drawers that looms up dark and ominous between the two front windows,
those windows themselves glittering, shining, flashing, perfect jewels
of cleanliness, protected from flies and other "noxious insects" by
stiff, rustling green paper blinds; the table opposite the fireplace,
whereon lies, in solemn, solitary grandeur, a large family Bible, Fox's
Book of Martyrs, the Pilgrim's Progress, and Robinson Crusoe.
Public-domain text, read in full here on John Shaqi.
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