The back windows of the cottage commanded a view of the sea, spreading
away and away until lost in the horizon beyond. From the front was seen
the forest path lonely and silent, with the dark pine woods bounding the
vision and extending away for miles. In the rear of the house was a
small garden, filled in summer with vegetables of all sorts, and the
product of this garden formed the principal source of Miss Jerusha's
income. The old maid was not rich by any means, but with the vegetables
and poultry she raised herself, the stockings she knit, the cloth she
wove, the wool she dyed, the candy she made and sold to the Burnfield
grocers, and the sewing she "took in" she managed to live comfortably
enough and "lay up something," as she said herself, "for a rainy day"--a
figure of speech which was popularly supposed to refer to times of
adversity and old age.
A strong-minded, clear-headed, sharp-tongued, wide-awake, uncompromising
specimen of femaledom "away down east" was Miss Jerusha. Never since the
time she had first donned pantalettes, and had "swopped" her rag doll
for Mary Ann Brown's china mug, could that respectable individual, the
oldest inhabitant, recollect any occasion wherein Miss Jerusha had not
got the best of the bargain, whatever that bargain might be. Though
never remarkable at any time for her personal beauty, yet tradition
averred that her thriftiness and smartness had on one or two occasions
so far captivated certain Jonathans of her district, that they had
gallantly tendered their heart, hand and brand new swallow-tails. But
looking upon mankind as an inferior race of animals, made more for
ornament than use, Miss Jerusha had contemptuously refused them, and had
marched on with grim determination through the vale of years in her
single blessedness up to her present mature age of five-and-forty.
The personal appearance of the lady could hardly be called prepossessing
at first sight, or at second sight either, for that matter. Unusually
tall, and unusually thin, Miss Jerusha looked not unlike a female
hop-pole, and her figure was not to say improved by her dress, which
never could be persuaded to approach her ankles, and was so narrow that
a long step seemed rather a hazardous experiment. Her hair, which was of
a neutral tint between red and orange, a vague hue commonly known as
"carroty," was disfigured by no cap or other sort of headgear, but
tethered into a tight knot behind, and then forcibly secured. Her face
looked not unlike that of a yellow parchment image as she there sat
knitting in the red firelight, rocking herself back and forward in a
rheumatic old chair that kept up a horrible crechy-crawchy as she
squeaked back and forth.
Public-domain text, read in full here on John Shaqi.
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