The Actress in High Life: An Episode in Winter QuartersBowen, Sue Petigru
General
The Actress in High Life: An Episode in Winter Quarters
Bowen, Sue Petigru
Fiction
Turn and look at this cavalcade toiling up toward you. A sudden bend
in the road has brought it into view, and its aspect, half native,
half foreign--its mixed civil and military character--attract
attention. Two mounted orderlies, in a British uniform, lead the way,
and are followed by a clumsy Lisbon coach, every part of it well laden
with luggage. It is drawn by four noble mules, such as are seldom seen
out of the peninsula, deserving more stylish postillions than those
who, in ragged jackets, greasy leathern breeches and huge jack boots,
are urging them on. Two men sit at ease on the coach box. One, a tall
young fellow, looks at a distance like a field-officer in a flashy
uniform, but is only an English footman in a gaudy livery, who needs
the training of a London winter or two, in a fashionable household, to
make him a flunky of the first water. The other, an old man, with a
severe countenance, is plainly dressed, but, with a less brilliant
exterior, has a more respectable air than his companion. He, too, is
the man in authority as, from time to time, he directs the party and
urges them on in somewhat impatient tones.
If you are familiar with the country and the times, you may imagine
that some British general officer has been so long in the peninsula,
that he has adopted the style and equipage of Cuesta, and some other
Spanish leaders, and fallen into their habits of slow and dignified
motion. You will think it high time for him to be sent home, that some
one less luxurious and stately, but more alert and energetic, may fill
his place. One look into the coach will undeceive you. Its chief
occupant is a lady, whose years do not exceed nineteen; and she is
evidently no native of Alemtejo, nor of Portugal; and might have been
sent out hither as a specimen of what a more northern country can
occasionally produce. While she looks out with deep, yet lively
interest on the scenery before and around her, you naturally gaze with
deeper interest only upon her. Her companion is her maid, some years
older than herself, who might be worth looking at, were her mistress
out of the way.
One of the orderlies, turning in his saddle, now points out the city
to the old man, who, in turn, leans over to the coach window, and
calls out, "My lady, there is Elvas!"
"And my father is in Elvas!" She leans eagerly out of the window; but
the front of the clumsy vehicle obstructs the view, and she calls out,
"Stop the coach, Moodie, and let me out. I will not go one step
further until I have taken a good look at Elvas."
The old man testily orders a halt. The footman opens the door, and the
lady springs lightly out, followed by her maid. Neglecting all other
objects in sight, she gazes long and eagerly at the city seated on the
hill. The interest she shows is no longer merely that of observant
curiosity, but is prompted by the gushing affections of the heart. In
Elvas, besides much new and strange, there is something known and
loved.
Public-domain text, read in full here on John Shaqi.
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