The Admirable Bashville; Or, Constancy Unrewarded: Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize FightingShaw, Bernard
General
The Admirable Bashville; Or, Constancy Unrewarded: Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize Fighting
Shaw, Bernard
Boxing; Boxing -- Drama
CASHEL. Murder! I would I had. Yon cannibal
Hath forty thousand lives; and I have ta'en
But thousands thirty-nine. I tell thee, Lydia,
On the impenetrable sarcolobe
That holds his seedling brain these fists have pounded
By Shrewsb'ry clock an hour. This bruised grass
And caked mud adhering to my form
I have acquired in rolling on the sod
Clinched in his grip. This scanty reefer coat
For decency snatched up as fast I fled
When the police arrived, belongs to Mellish.
'Tis all too short; hence my display of rib
And forearm mother-naked. Be not wroth
Because I seem to wink at you: by Heaven,
'Twas Paradise that plugged me in the eye
Which I perforce keep closing. Pity me,
My training wasted and my blows unpaid,
Sans stakes, sans victory, sans everything
I had hoped to win. Oh, I could sit me down
And weep for bitterness.
LYDIA. Thou wretch, begone.
CASHEL. Begone!
LYDIA. I say begone. Oh, tiger's heart
Wrapped in a young man's hide, canst thou not live
In love with Nature and at peace with Man?
Must thou, although thy hands were never made
To blacken others' eyes, still batter at
The image of Divinity? I loathe thee.
Hence from my house and never see me more.
CASHEL. I go. The meanest lad on thy estate
Would not betray me thus. But 'tis no matter. [_He opens the door._
Ha! the police. I'm lost. [_He shuts the door again._
Now shalt thou see
My last fight fought. Exhausted as I am,
To capture me will cost the coppers dear.
Come one, come all!
LYDIA. Oh, hide thee, I implore:
I cannot see thee hunted down like this.
There is my room. Conceal thyself therein.
Quick, I command. [_He goes into the room._
With horror I foresee,
Lydia, that never lied, must lie for thee.
_Enter_ POLICEMAN, _with_ PARADISE _and_ MELLISH _in
custody_, BASHVILLE, _constable_s, _and others_
POLICEMAN. Keep back your bruised prisoner lest he shock
This wellbred lady's nerves. Your pardon, ma'am;
But have you seen by chance the other one?
In this direction he was seen to run.
LYDIA. A man came here anon with bloody hands
And aspect that did turn my soul to snow.
POLICEMAN. 'Twas he. What said he?
LYDIA. Begged for sanctuary.
I bade the man begone.
POLICEMAN. Most properly.
Saw you which way he went?
LYDIA. I cannot tell.
PARADISE. He seen me coming; and he done a bunk.
POLICEMAN. Peace, there. Excuse his damaged features, lady:
He's Paradise; and this one's Byron's trainer,
Mellish.
Public-domain text, read in full here on John Shaqi.
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