The Admirable Bashville; Or, Constancy Unrewarded: Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize FightingShaw, Bernard
General
The Admirable Bashville; Or, Constancy Unrewarded: Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize Fighting
Shaw, Bernard
Boxing; Boxing -- Drama
CASHEL. This is the face that burnt a thousand boats,
And ravished Cashel Byron from the ring.
But to conclude. Let William Paradise
Devote himself to science, and acquire,
By studying the player's speech in Hamlet,
A more refined address. You, Robert Mellish,
To the Blue Anchor hostelry attend him;
Assuage his hurts, and bid Bill Richardson
Limit his access to the fatal tap.
Now mount we on my backer's four-in-hand,
And to St. George's Church, whose portico
Hanover Square shuts off from Conduit Street,
Repair we all. Strike up the wedding march;
And, Mellish, let thy melodies trill forth
Broad o'er the wold as fast we bowl along.
Give me the post-horn. Loose the flowing rein;
And up to London drive with might and main. [_Exeunt._
NOTE ON MODERN PRIZEFIGHTING
In 1882, when this book was written, prizefighting seemed to be dying
out. Sparring matches with boxing gloves, under the Queensberry rules,
kept pugilism faintly alive; but it was not popular, because the public,
which cares only for the excitement of a strenuous fight, believed then
that the boxing glove made sparring as harmless a contest of pure skill
as a fencing match with buttoned foils. This delusion was supported by
the limitation of the sparring match to boxing. In the prize-ring under
the old rules a combatant might trip, hold, or throw his antagonist; so
that each round finished either with a knockdown blow, which, except
when it is really a liedown blow, is much commoner in fiction than it
was in the ring, or with a visible body-to-body struggle ending in a
fall. In a sparring match all that happens is that a man with a watch in
his hand cries out "Time!" whereupon the two champions prosaically stop
sparring and sit down for a minute's rest and refreshment. The
unaccustomed and inexpert spectator in those days did not appreciate the
severity of the exertion or the risk of getting hurt: he underrated them
as ignorantly as he would have overrated the more dramatically obvious
terrors of a prizefight. Consequently the interest in the annual
sparrings for the Queensberry Championships was confined to the few
amateurs who had some critical knowledge of the game of boxing, and to
the survivors of the generation for which the fight between Sayers and
Heenan had been described in The Times as solemnly as the University
Boat Race. In short, pugilism was out of fashion because the police had
suppressed the only form of it which fascinated the public by its
undissembled pugnacity.
All that was needed to rehabilitate it was the discovery that the glove
fight is a more trying and dangerous form of contest than the old
knuckle fight. Nobody knew that then: everybody knows it, or ought to
know it, now. And, accordingly, pugilism is more prosperous to-day than
it has ever been before.
Public-domain text, read in full here on John Shaqi.
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