The Admirable Bashville; Or, Constancy Unrewarded: Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize FightingShaw, Bernard
General
The Admirable Bashville; Or, Constancy Unrewarded: Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize Fighting
Shaw, Bernard
Boxing; Boxing -- Drama
Poor scrapper, though, is hardly the word for a modern fashionable
American pugilist. To him the exploits of Cashel Byron will seem
ludicrously obscure and low-lived. The contests in which he engages are
like Handel Festivals: they take place in huge halls before enormous
audiences, with cinematographs hard at work recording the scene for
reproduction in London and elsewhere. The combatants divide thousands of
dollars of gate-money between them: indeed, if an impecunious English
curate were to go to America and challenge the premier pugilist, the
spectacle of a match between the Church and the Ring would attract a
colossal crowd; and the loser's share of the gate would be a fortune to
a curate--assuming that the curate would be the loser, which is by no
means a foregone conclusion. At all events, it would be well worth a
bruise or two. So my story of the Agricultural Hall, where William
Paradise sparred for half a guinea, and Cashel Byron stood out for ten
guineas, is no doubt read by the profession in America with amused
contempt. In 1882 it was, like most of my conceptions, a daring
anticipation of coming social developments, though to-day it seems as
far out of date as Slender pulling Sackerson's chain.
Of these latter-day commercial developments of glove fighting I know
nothing beyond what I gather from the newspapers. The banging matches of
the eighties, in which not one competitor in twenty either exhibited
artistic skill, or, in his efforts to knock out his adversary, succeeded
in anything but tiring and disappointing himself, were for the most part
tedious beyond human endurance. When, after wading through Boxiana and
the files of Bell's Life at the British Museum, I had written Cashel
Byron's Profession, I found I had exhausted the comedy of the subject;
and as a game of patience or solitaire was decidedly superior to an
average spar for a championship in point of excitement, I went no more
to the competitions. Since then six or seven generations of boxers have
passed into peaceful pursuits; and I have no doubt that my experience is
in some respects out of date. The National Sporting Club has arisen; and
though I have never attended its reunions, I take its record of three
pugilists slain as proving and enormous multiplication of contests,
since such accidents are very rare, and in fact do not happen to
reasonably healthy men. I am prepared to admit also that the
disappearance of the old prize-ring technique must by this time have
been compensated by the importation from America of a new glove-fighting
technique; for even in a knocking-out match, brains will try conclusions
with brawn, and finally establish a standard of skill; but I notice that
in the leading contests in America luck seems to be on the side of
brawn, and brain frequently finishes in a state of concussion, a loser
after performing miracles of "science." I use the word luck advisedly;
for one of the fascinations of boxing to the gambler (who is the main
Public-domain text, read in full here on John Shaqi.
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