The Admirable Bashville; Or, Constancy Unrewarded: Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize FightingShaw, Bernard
General
The Admirable Bashville; Or, Constancy Unrewarded: Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize Fighting
Shaw, Bernard
Boxing; Boxing -- Drama
[_Another gust of wind and bird-chatter. She sits on
the mossy root of an oak and buries her face in her
hands._ CASHEL BYRON, _in a white singlet and
breeches, comes through the trees_.
CASHEL. What's this? Whom have we here? A woman!
LYDIA [_looking up_]. Yes.
CASHEL. You have no business here. I have. Away!
Women distract me. Hence!
LYDIA. Bid you me hence?
I am upon mine own ground. Who are you?
I take you for a god, a sylvan god.
This place is mine: I share it with the birds,
The trees, the sylvan gods, the lovely company
Of haunted solitudes.
CASHEL. A sylvan god!
A goat-eared image! Do your statues speak?
Walk? heave the chest with breath? or like a feather
Lift you--like this? [_He sets her on her feet._
LYDIA [_panting_]. You take away my breath!
You're strong. Your hands off, please. Thank you. Farewell.
CASHEL. Before you go: when shall we meet again?
LYDIA. Why should we meet again?
CASHEL. Who knows? We _shall_.
That much I know by instinct. What's your name?
LYDIA. Lydia Carew.
CASHEL. Lydia's a pretty name.
Where do you live?
LYDIA. I' the castle.
CASHEL [_thunderstruck_]. Do not say
You are the lady of this great domain.
LYDIA. I am.
CASHEL. Accursed luck! I took you for
The daughter of some farmer. Well, your pardon.
I came too close: I looked too deep. Farewell.
LYDIA. I pardon that. Now tell me who you are.
CASHEL. Ask me not whence I come, nor what I am.
You are the lady of the castle. I
Have but this hard and blackened hand to live by.
LYDIA. I have felt its strength and envied you. Your name?
I have told you mine.
CASHEL. My name is Cashel Byron.
LYDIA. I never heard the name; and yet you utter it
As men announce a celebrated name.
Forgive my ignorance.
CASHEL. I bless it, Lydia.
I have forgot your other name.
LYDIA. Carew.
Cashel's a pretty name, too.
MELLISH [_calling through the wood_]. Coo-ee! Byron!
CASHEL. A thousand curses! Oh, I beg you, go.
This is a man you must not meet.
MELLISH [_further off_]. Coo-ee!
LYDIA. He's losing us. What does he in my woods?
CASHEL. He is a part of what I am. What that is
You must not know. It would end all between us.
And yet there's no dishonor in't: your lawyer,
Who let your lodge to me, will vouch me honest.
I am ashamed to tell you what I am--
At least, as yet. Some day, perhaps.
MELLISH [_nearer_]. Coo-ee!
LYDIA. His voice is nearer. Fare you well, my tenant.
When next your rent falls due, come to the castle.
Pay me in person. Sir: your most obedient. [_She curtsies and goes._
Public-domain text, read in full here on John Shaqi.
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