The Adopting of Rosa Marie: (A Sequel to Dandelion Cottage) — John Shaqi
The Adopting of Rosa Marie: (A Sequel to Dandelion Cottage)Rankin, Carroll Watson
General
The Adopting of Rosa Marie: (A Sequel to Dandelion Cottage)
Rankin, Carroll Watson
Abandoned children -- Juvenile fiction; Humanitarianism -- Juvenile fiction; Toddlers -- Care -- Juvenile fiction
Mabel walked round and round her firmly seated charge in helpless
despair. Rosa Marie and the sidewalk were one.
"Want any help?" asked a friendly voice. It belonged to a large,
freckled boy who was carrying two pails of water from the lake to one
of the tumble-down houses.
[Illustration: ROSA MARIE AND THE SIDEWALK WERE ONE.]
"Yes, I do," responded Mabel, promptly. "If you could just lift this
child high enough for me to get hold of her I think I could carry her."
So the boy, setting his pails down, obligingly lifted Rosa Marie's
solid little person, Mabel clasped the barrel-shaped body closely, and,
after a word of thanks to the kind boy, proceeded homeward. But even
now her troubles were not ended. By silently refusing to cuddle, Rosa
Marie converted herself into a most uncomfortable burden. Her entire
body was a silent protest against leaving her home.
"Do make yourself soft and bunchy," pleaded Mabel, giving Rosa Marie
sundry pokes, calculated to make her double up like a jack-knife.
"Here, bend this way. _Haven't_ you any joints anywhere? Do hold tight
with your arms and legs. _This_ way. Pshaw! You're just like a
stuffed crocodile. Well, _walk_ then, if you can't hang on like a real
child. There's one thing certain, you shan't sit down again. I s'pose
we'll get there _sometime_."
CHAPTER III
Mabel's Day
ALMOST hopeless as it seemed at times, Mabel and the silent brown
baby finally reached Dandelion Cottage. There they found Jean, seated
in a chair with her lovely little cousin Anne Halliday perched like
a pink and white blossom on the edge of the dining table before her,
tying Anne's bewitching yellow curls with wide pink ribbons. Anne was
a perpetual delight, for, besides being a picture during every moment
of the long day, her ways were so quaint and so attractive that no one
could help admiring her.
Marjory, her countenance carefully arranged to depict the deepest
sorrow, stood guard over the Marcotte twins, who, touchingly covered
with nasturtiums, were laid out on the parlor cozy corner, awaiting
burial. Their blue eyes blinked and their pink toes twitched; but, on
the whole, they played their parts in a most satisfactory manner.
Bettie, with two small but attractive Tucker babies clinging to her
brief skirts, was exclaiming: "These are my jewels," when tired, dusty
Mabel, pushing reluctant Rosa Marie before her, walked in.
"For mercy's sake, what's that!" gasped Jean, sweeping Anne Halliday
into her protecting arms.
"Is--is it something the cat dragged in?" asked Marjory.
"Is--_can_ it be a _real_ child?" demanded Bettie.
"This," announced Mabel, with dignity, "is _my_ child. Her name is Rosa
Marie--with all the distress on the _ee_."
"The distress seems to be all over both of you," giggled Marjory.
"That's just dust," explained Mabel.
"Did you both roll home like a pair of barrels?" queried Jean, "or did
the Village Improvement folks use you to dust the sidewalks?"
Public-domain text, read in full here on John Shaqi.
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