The Adopting of Rosa Marie: (A Sequel to Dandelion Cottage)Rankin, Carroll Watson
General
The Adopting of Rosa Marie: (A Sequel to Dandelion Cottage)
Rankin, Carroll Watson
Abandoned children -- Juvenile fiction; Humanitarianism -- Juvenile fiction; Toddlers -- Care -- Juvenile fiction
The Marcotte twins, again prepared for burial, quarrelled most
engagingly as to which should be buried under the apple-tree, both
preferring that fruitful resting-place to the barren waste under
the snowball bush; but nobody listened because Rosa Marie was doing
extraordinary things with her bowl of bread and milk. Having lapped the
milk like a cat, she was deftly chasing the crumbs round the bowl with
a greedy and experienced tongue. It was plain that Rosa Marie had no
table manners.
As for the infantile Tuckers, they were an old story. On this occasion
they crawled into the corner cupboard and went to sleep and nobody
missed them for a whole hour, just because Rosa Marie was emitting
queer little startled grunts every time Marjory's best doll wailed
"Mam-mah!" "Pap-pah!" for her benefit. There was no doubt about it,
Rosa Marie was decidedly amusing.
The day passed swiftly; much too swiftly, Mabel thought. Very much
mothered Rosa Marie, who had obligingly consumed an amazing amount of
milk--all, indeed, that the Cottagers had been able to procure--started
homeward, towed by Mabel. That elated young person had declined all
offers of company; she coveted the full glory of returning Rosa Marie
to her rightful guardian. Mabel, indeed, was visibly swollen with
pride. She had given the Cottagers a most unusual treat. She had not
only surprised them by proving that she _could_ borrow a baby, but
had kept them amused and entertained every moment of the day. It had
certainly been a red-letter day in the annals of Dandelion Cottage.
Mabel more than half expected to meet Rosa Marie's mother at the very
first corner. The other real mothers had always seemed desirous--over
desirous, Mabel thought--of welcoming their home-coming babies back
to the fold; but the mother of Rosa Marie, apparently, was of a less
grudging disposition.
Mabel laboriously escorted her reluctant charge to the very door of the
shanty without encountering any welcoming parent. The borrower of Rosa
Marie knocked. No one came. She tried the door. It was locked.
"How queer!" said Mabel. "Seems to me I'd be on hand if I had an
engagement at exactly six o'clock. But then, I always _am_ late."
Dragging an empty wooden box to the side of the house, Mabel climbed to
the high, decidedly smudgy window and peered in.
There was no one inside. There was no fire in the battered stove. The
doors of a rough cupboard opposite the window stood open, disclosing
the fact that the cupboard was bare. There were no bedclothes in the
rough bunk that served for a bed; no dishes on the table; no clothing
hanging from the hooks on the wall. Both inside and outside the house
wore a strangely deserted aspect. It seemed to say: "Nobody lives here
now, nobody ever did live here, nobody ever will live here."
CHAPTER IV
An Unusual Evening
MABEL looked in dismay at Rosa Marie.
"Where do you s'pose your mother is?" she demanded.
Public-domain text, read in full here on John Shaqi.
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