The Advance of English Poetry in the Twentieth CenturyPhelps, William Lyon
History
The Advance of English Poetry in the Twentieth Century
Phelps, William Lyon
American poetry -- 20th century -- History and criticism; English poetry -- 20th century -- History and criticism
Whatever may be thought of the appropriateness of the term "Advance of
English Poetry" for my survey of the modern field as a whole, there is
no doubt that it applies fittingly to Ireland. The last twenty-five
years have seen an awakening of poetic activity in that island unlike
anything known there before; and Dublin has become one of the literary
centres of the world. When a new movement produces three men of
genius, and a long list of poets of distinction, it should be
recognized with respect for its achievement, and with faith in its
future.
CHAPTER VII
AMERICAN VETERANS AND FORERUNNERS
American Poetry in the eighteen-nineties--William Vaughn
Moody--his early death a serious loss to literature--George
Santayana--a master of the sonnet--Robert Underwood
Johnson--his moral idealism--Richard Burton--his healthy
optimism--his growth--Edwin Markham and his famous poem--Ella
Wheeler Wilcox--her additions to our language--Edmund Vance
Cooke--Edith M. Thomas--Henry van Dyke--George E.
Woodberry--his spiritual and ethereal quality--William Dudley
Foulke--translator of Petrarch--the late H. K. Vielé--his
whimsicality--Cale Young Rice--his prolific production--his
versatility--Josephine P. Peabody--_Sursum Corda_--her
child poems--Edwin Arlington Robinson--a forerunner of the
modern advance--his manliness and common sense--intellectual
qualities.
To compel public recognition by a fresh volume of poems is becoming
increasingly difficult. The country fields and the city streets are
full of singing birds; and after a few more springs have awakened the
earth, it may become as impossible to distinguish the note of a new
imagist as the note of an individual robin. When the publishers
advertise the initial appearance of a poet, we simply say
_Another!_ The versifiers and their friends who study them
through a magnifying glass may ultimately force us to classify the
songsters into wild poets, gamy poets, barnyard poets, poets that hunt
and are hunted.
But in the last decade of the last century, poets other than
migratory, poets who were winter residents, were sufficiently
uncommon. Indeed the courage required to call oneself a poet was
considerable.
Of the old leaders, Whitman, Whittier, and Holmes lived into the
eighteen-nineties; and when, in 1894, the last leaf left the tree, we
could not help wondering what the next Maytime would bring forth. Had
William Vaughn Moody lived longer, it is probable that America would
have had another major poet. He wrote verse to please himself, and
plays in order that he might write more verse; but at the dawning of a
great career, the veto of death ended both. As it is, much of his work
will abide.
Indiana has the honour of his birth. He was born at Spencer, on the
eighth of July, 1869. He was graduated at Harvard, and after teaching
there, he became a member of the English Department of the University
of Chicago. He died at Colorado Springs, on the seventeenth of
October, 1910.
Public-domain text, read in full here on John Shaqi.
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