The Advance of English Poetry in the Twentieth CenturyPhelps, William Lyon
History
The Advance of English Poetry in the Twentieth Century
Phelps, William Lyon
American poetry -- 20th century -- History and criticism; English poetry -- 20th century -- History and criticism
No such faculty alone could help Mr. Hardy to the highest peaks of
poetry, any more than it served Caponsacchi in his spiritual crisis.
He thinks interesting thoughts, because he has an original mind. It is
possible to be a great poet without possessing much intellectual
wealth; just as it is possible to be a great singer, and yet be both
shallow and dull. The divine gift of poetry seems sometimes as
accidental as the formation of the throat. I do not believe that
Tennyson was either shallow or dull; but I do not think he had so rich
a mind as Thomas Hardy's, a mind so quaint, so humorous, so sharp. Yet
Tennyson was incomparably a greater poet.
The greatest poetry always transports us, and although I read and
reread the Wessex poet with never-lagging attention--I find even the
drawings in _Wessex Poems_ so fascinating that I wish he had
illustrated all his books--I am always conscious of the time and the
place. I never get the unmistakable spinal chill. He has too thorough
a command of his thoughts; they never possess him, and they never soar
away with him. Prose may be controlled, but poetry is a possession.
Mr. Hardy is too keenly aware of what he is about. In spite of the
fact that he has written verse all his life, he seldom writes
unwrinkled song. He is, in the last analysis, a master of prose who
has learned the technique of verse, and who now chooses to express his
thoughts and his observations in rime and rhythm.
The title of Mr. Hardy's latest volume of poems, _Moments of
Vision_, leads one to expect rifts in the clouds--and one is not
disappointed. It is perhaps characteristic of the independence of our
author, that steadily preaching pessimism when the world was peaceful,
he should now not be perhaps quite so sure of his creed when a larger
proportion of the world's inhabitants are in pain than ever before.
One of the fallacies of pessimism consists in the fact that its
advocates often call a witness to the stand whose testimony counts
against them. Nobody really loves life, loves this world, like your
pessimist; nobody is more reluctant to leave it. He therefore, to
support his argument that life is evil, calls up evidence which proves
that it is brief and transitory. But if life is evil, one of its few
redeeming features should be its brevity; the pessimist should look
forward to death as a man in prison looks toward the day of his
release. Yet this attitude toward death is almost never taken by the
atheists or the pessimists, while it is the burden of many of the
triumphant hymns of the Christian Church. Now, as our spokesman for
pessimism approaches the end--which I fervently hope may be afar
off--life seems sweet.
"FOR LIFE I HAD NEVER CARED GREATLY"
For Life I had never eared greatly,
As worth a man's while;
Peradventures unsought,
Peradventures that finished in nought,
Had kept me from youth and through manhood till lately
Unwon by its style.
Public-domain text, read in full here on John Shaqi.
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