The Advance of English Poetry in the Twentieth CenturyPhelps, William Lyon
History
The Advance of English Poetry in the Twentieth Century
Phelps, William Lyon
American poetry -- 20th century -- History and criticism; English poetry -- 20th century -- History and criticism
It is interesting to reflect that not the author of the
_Recessional_, but the author of _Regina Cara_ was duly
chosen for the Laureateship. This poem by Robert Bridges appeared on
the same occasion as that immortalized by Kipling, and was
subsequently included in the volume of the writer's poetical works,
published in 1912. It shows irreproachable reverence for Queen
Victoria. Apparently its poetical quality was satisfactory to those
who appoint Laureates.
REGINA CARA
Jubilee-Song, for music, 1897
Hark! the world is full of thy praise,
England's Queen of many days;
Who, knowing how to rule the free,
Hast given a crown to monarchy.
Honour, Truth, and growing Peace
Follow Britannia's wide increase,
And Nature yield her strength unknown
To the wisdom born beneath thy throne!
In wisdom and love firm is thy fame:
Enemies bow to revere thy name:
The world shall never tire to tell
Praise of the queen that reignèd well.
O Felix anima, Domina pracclara,
Amore semper coronabere
Regina Cara
Rudyard Kipling's poetry is as familiar to us as the air we breathe.
He is the spokesman for the Anglo-Saxon breed. His gospel of orderly
energy is the inspiration of thousands of business offices; his
sententious maxims are parts of current speech: the victrola has
carried his singing lyrics even farther than the banjo penetrates, of
which latter democratic instrument his wonderful poem is the
apotheosis. And we have the word of a distinguished British
major-general to prove that Mr. Kipling has wrought a miracle of
transformation with Tommy Atkins. General Sir George Younghusband, in
a recent book, _A Soldier's Memories_, says, "I had never heard
the words or expressions that Rudyard Kipling's soldiers used. Many a
time did I ask my brother officers whether they had ever heard them.
No, never. But, sure enough, a few years after the soldiers thought,
and talked, and expressed themselves exactly as Rudyard Kipling had
taught them in his stories. Rudyard Kipling made the modern soldier.
Other writers have gone on with the good work, and they have between
them manufactured the cheery, devil-may-care, lovable person enshrined
in our hearts as Thomas Atkins. Before he had learned from reading
stories about himself that he, as an individual, also possessed the
above attributes, he was mostly ignorant of the fact. My early
recollections of the British soldier are of a bluff, rather surly
person, never the least jocose or light-hearted except perhaps when he
had too much beer."
Public-domain text, read in full here on John Shaqi.
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