Now, of my threescore years and ten, Twenty will not come again, And take from seventy springs a score, It only leaves me fifty more. And since to look at things in bloom Fifty springs are little room, About the woodlands I will go To see the cherry hung with snow. The death of the body is not the greatest tragedy in this volume, for suicide, a thought that youth loves to play with, is twice glorified. The death of love is often treated with an ironical bitterness that makes one think of _Time's Laughingstocks_. Is my friend hearty, Now I am thin and pine, And has he found to sleep in A better bed than mine? Yes, lad, I lie easy, I lie as lads would choose; I cheer a dead man's sweetheart, Never ask me whose. The point of view expressed in _The Carpenter's Son_ is singularly detached not only from conventional religious belief, but from conventional reverence. But the originality in _A Shropshire Lad_, while more strikingly displayed in some poems than in others, leaves its mark on them all. It is the originality of a man who thinks his own thoughts with shy obstinacy, makes up his mind in secret meditation, quite unaffected by current opinion. It is not the poetry of a rebel; it is the poetry of an independent man, too indifferent to the crowd even to fight them. And now and then we find a lyric of flawless beauty, that lingers in the mind like the glow of a sunset. Into my heart an air that kills From yon far country blows: What are those blue remembered hills, What spires, what farms are those? That is the land of lost content, I see it shining plain, The happy highways where I went, And cannot come again. Mr. Housman's poems are nearer to the twentieth century in spirit than the work of the late Victorians, and many of them are curiously prophetic of the dark days of the present war. What strange vision made him write such poems as _The Recruit_, _The Street Sounds to the Soldiers' Tread_, _The Day of Battle_, and _On the Idle Hill of Summer_? Change the colour of the uniforms, and these four poems would fit today's tragedy accurately. They are indeed superior to most of the war poems written by the professional poets since 1914. Ludlow, for ever associated with. Milton's _Comus_, is now and will be for many years to come also significant in the minds of men as the home of a Shropshire lad. CHAPTER III JOHN MASEFIELD