The Advance of English Poetry in the Twentieth CenturyPhelps, William Lyon
History
The Advance of English Poetry in the Twentieth Century
Phelps, William Lyon
American poetry -- 20th century -- History and criticism; English poetry -- 20th century -- History and criticism
John Masefield was born at Ledbury, in western England, in 1874. He
ran away from home, shipped as cabin boy on a sailing vessel, spent
some years before the mast, tramped on foot through various countries,
turned up in New York, worked in the old Columbia Hotel in Greenwich
Avenue, and had plenty of opportunity to study human nature in the
bar-room. Then he entered a carpet factory in the Bronx. But he was
the last man in the world to become a carpet knight. He bought a copy
of Chaucer's poems, stayed up till dawn reading it, and for the first
time was sure of his future occupation.
John Masefield is the real man-of-war-bird imagined by Walt Whitman.
He is the bird self-conscious, the wild bird plus the soul of the
poet.
To cope with heaven and earth and sea and hurricane,
Thou ship of air that never furl'st thy sails,
Days, even weeks untired and onward, through spaces, realms gyrating,
At dusk that look'st on Senegal, at morn America,
That sport'st amid the lightning-flash and thunder-cloud,
In them, in thy experiences, had'st thou my soul,
What joys! what joys were thine!
They that go down to the sea in ships, that do business in great
waters, these see the works of the Lord, and His wonders in the deep.
They do indeed; they see them as the bird sees them, with no spiritual
vision, with no self-consciousness, with no power to refer or to
interpret. It is sad that so many of those who have marvellous
experiences have nothing else; while those who are sensitive and
imaginative live circumscribed. What does the middle watch mean to an
average seaman? But occasionally the sailor is a Joseph Conrad or a
John Masefield. Then the visions of splendour and the glorious voices
of nature are seen and heard not only by the eye and the ear, but by
the spirit.
Although Chaucer took Mr. Masefield out of the carpet factory even as
Spenser released Keats it would be a mistake to suppose (as many do)
that the Ledbury boy was an uncouth vagabond, who, without reading,
without education, and without training, suddenly became a poet. He
had a good school education before going to sea; and from earliest
childhood he longed to write. Even as a little boy he felt the impulse
to put his dreams on paper; he read everything he could lay his hands
on, and during all the years of bodily toil, afloat and ashore, he had
the mind and the aspiration of a man of letters. Never, I suppose, was
there a greater contrast between an individual's outer and inner life.
He mingled with rough, brutal, decivilized creatures; his ears were
assaulted by obscene language, spoken as to an equal; he saw the
ugliest side of humanity, and the blackest phases of savagery. Yet
through it all, sharing these experiences with no trace of
condescension, his soul was like a lily.
Public-domain text, read in full here on John Shaqi.
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