The Advance of English Poetry in the Twentieth CenturyPhelps, William Lyon
History
The Advance of English Poetry in the Twentieth Century
Phelps, William Lyon
American poetry -- 20th century -- History and criticism; English poetry -- 20th century -- History and criticism
Was it for this the wild geese spread
The grey wing upon every tide;
For this that all that blood was shed,
For this Edward Fitzgerald died,
And Robert Emmet and Wolfe Tone,
All that delirium of the brave;
Romantic Ireland's dead and gone,
It's with O'Leary in the grave.
Yet could we turn the years again,
And call those exiles as they were,
In all their loneliness and pain
You'd cry "some woman's yellow hair
Has maddened every mother's son:"
They weighed so lightly what they gave,
But let them be, they're dead and gone,
They're with O'Leary in the grave.
William Butler Yeats has done more for English poetry than any other
Irishman, for he is the greatest poet in the English language that
Ireland has ever produced. He is a notable figure in contemporary
literature, having made additions to verse, prose and stage-plays. He
has by no means obliterated Clarence Mangan, but he has surpassed him.
Mr. Yeats was born at Dublin, on the thirteenth of June, 1865. His
father was an honour man at Trinity College, taking the highest
distinction in Political Economy. After practising law, he became a
painter, which profession he still adorns. The future poet studied art
for three years, but when twenty-one years old definitely devoted
himself to literature. In addition to his original work, one of his
foremost services to humanity was his advice to that strange genius,
John Synge--for it was partly owing to the influence of his friend
that Synge became a creative writer, and he had, alas! little time to
lose.
Mr. Yeats published his first poem in 1886. Since that date, despite
his preoccupation with the management of the Abbey Theatre, he has
produced a long list of works in verse and prose, decidedly unequal in
merit, but shining with the light of a luminous mind.
From the first, Mr. Yeats has seemed to realize that he could serve
Ireland best by making beautiful and enduring works of art, rather
than by any form of political agitation. This is well; for despite the
fact that a total ineptitude for statesmanship seldom prevents the
enthusiast from issuing and spreading dogmatic propaganda, a merely
elementary conception of the principle of division of labour should
make us all rejoice when the artist confines himself to art. True
artists are scarce and precious; and although practical men of
business often regard them as superfluous luxuries, the truth is that
we cannot live without them. As poet and dramatist, Mr. Yeats has done
more for his country than he could have accomplished in any other way.
Public-domain text, read in full here on John Shaqi.
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