The Advance of English Poetry in the Twentieth CenturyPhelps, William Lyon
History
The Advance of English Poetry in the Twentieth Century
Phelps, William Lyon
American poetry -- 20th century -- History and criticism; English poetry -- 20th century -- History and criticism
We make out of the quarrel with others, rhetoric, but of
the quarrel with ourselves, poetry. Unlike the rhetoricians,
who get a confident voice from remembering the crowd they
have won or may win, we sing amid our uncertainty; and,
smitten even in the presence of the most high beauty by the
knowledge of our solitude, our rhythm shudders. I think,
too, that no fine poet, no matter how disordered his life, has
ever, even in his mere life, had pleasure for his end.... The
other self, the anti-self or antithetical self, as one may
choose to name it, comes but to those who are no longer
deceived, whose passion is reality. The sentimentalists are
practical men who believe in money, in position, in a marriage
bell, and whose understanding of happiness is to be so busy
whether at work or at play, that all is forgotten but the
momentary aim. They will find their pleasure in a cup that is
filled from Lethe's wharf, and for the awakening, for the
vision, for the revelation of reality, tradition offers us a
different word--ecstasy.... We must not make a false faith by
hiding from our thoughts the causes of doubt, for faith is the
highest achievement of the human intellect, the only gift man
can make to God, and therefore it must be offered in
sincerity. Neither must we create, by hiding ugliness, a false
beauty as our offering to the world. He only can create the
greatest imaginable beauty who has endured all imaginable
pangs, for only when we have seen and foreseen what we dread
shall we be rewarded by that dazzling unforeseen wing-footed
wanderer.
Public-domain text, read in full here on John Shaqi.
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