The Advance of English Poetry in the Twentieth CenturyPhelps, William Lyon
History
The Advance of English Poetry in the Twentieth Century
Phelps, William Lyon
American poetry -- 20th century -- History and criticism; English poetry -- 20th century -- History and criticism
I admire his devotion to the art of poetry. He will not turn Pegasus
into a dray-horse, and make him haul cart-loads of political or moral
propaganda. In his fine apologia, _The Cutting of an Agate_, he
states and restates his creed: "Literature decays when it no longer
makes more beautiful, or more vivid, the language which unites it to
all life, and when one finds the criticism of the student, and the
purpose of the reformer, and the logic of the man of science, where
there should have been the reveries of the common heart, ennobled into
some raving Lear or unabashed Don Quixote.... I have been reading
through a bundle of German plays, and have found everywhere a desire
not to express hopes and alarms common to every man that ever came
into the world, but politics or social passion, a veiled or open
propaganda.... If Homer were alive today, he would only resist, after
a deliberate struggle, the temptation to find his subject not in
Helen's beauty, that every man has desired, nor in the wisdom and
endurance of Odysseus that has been the desire of every woman that has
come into the world, but in what somebody would describe, perhaps, as
'the inevitable contest,' arising out of economic causes, between the
country-places and small towns on the one hand, and, upon the other,
the great city of Troy, representing one knows not what 'tendency to
centralization.'"
In other words, if I understand him correctly, Mr. Yeats believes that
in writing pure rather than applied poetry, he is not turning his back
on great issues to do filigree work, but is merely turning aside from
questions of temporary import to that which is fixed and eternal, life
itself.
John Millington Synge was born near Dublin on the sixteenth of April,
1871, and died in Dublin on the twenty-fourth of March, 1909. It is a
curious thing that the three great Irishmen of the Celtic
renaissance--the only men who were truly inspired by
genius--originally studied another form of art than literature. Mr.
Yeats studied painting for years; A. E. is a painter of distinction;
Synge an accomplished musician before he became a of letters. There is
not the slightest doubt the effect of these sister arts upon the
literary work of the Great Three is pervasive and powerful. The books
of Mr. Yeats and Mr. Russell are full of word-pictures; and the rhythm
of Synge's strange prose, which Mr. Ernest Boyd ingeniously compares
with Dr. Hyde's translations, is full of harmonies.
Dr. Hyde has not only witnessed a new and wonderful literary revival
in his country, but he has the satisfaction of knowing that he is
vitally connected with its birth and bloom.
Public-domain text, read in full here on John Shaqi.
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