The Adventures and Vagaries of Twm Shôn Catti: Descriptive of Life in Wales: Interspersed with Poems — John Shaqi
The Adventures and Vagaries of Twm Shôn Catti: Descriptive of Life in Wales: Interspersed with PoemsPrichard, T. J. Llewelyn (Thomas Jeffery Llewelyn)
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The Adventures and Vagaries of Twm Shôn Catti: Descriptive of Life in Wales: Interspersed with Poems
Prichard, T. J. Llewelyn (Thomas Jeffery Llewelyn)
Jones, Thomas, approximately 1530-approximately 1620 -- Fiction
He had formerly expressed his disapprobation of a custom prevalent among
Welsh farmers of leaving their corn long on the ground after being cut,
instead of housing it as soon as possible; but experience taught him that
they were right and himself in error; as, among the corn was a large
quantity of weeds which required to be dried before it could with safety
be brought to the barn or rick, otherwise the grain was sweated and
literally poisoned with the rank juice. He found the Cardiganshire mode
of chopping the young mountain furze, and giving it as food for horses
and cattle, worthy his attention, and after various trials, decided on
its efficacy so far as to adopt it for the future; and actually set
Carmarthen Jack to gather the seed of that mountain plant, which he
forwarded to England to be set on his Devonshire farms. The planting of
flowers on the graves of deceased friends, he eulogized as a beautiful
and endearing custom, forming an agreeable contrast to the clumsy English
tombstones with barbarous lines, often setting truth, rhyme, and reason
at defiance. The Welsh harp he declared the prince of all musical
instruments, and Welsh weddings the best contrived and conducted in the
world, and proved his sincerity by giving something always at the
_Biddings_ of the peasantry, and patronizing all those who entered that
happy state. Above all things he admired the female costume in Wales,
and protested, with much truth, that the poor people in England were not
half so well, or so neatly, clothed. His lofty lady, although a
Welshwoman bred and born, entertained a very different set of ideas on
these subjects. Whenever her husband related the anecdote of Polydore
Virgil’s extacy on his first landing in Britain, when he beheld the
yellow-blossomed furze, which gave a golden glow to the swelling bosom of
the hills—how he knelt on the ground beside a bush of it, fervently
worshipping the God of Nature, that beautified the world with the
production of such a plant; she would instantly reply, “The man was a
fool! for _my part_ I see nothing in the nasty prickly things to admire,
but wish the fire would take them all from one end of the mountains to
the other.” “And yet, my dear,” would he answer, “Polydore Virgil was a
native of no rude soil, but came from the land of the laurel, the
cypress, and the vine, the orange, the lemon, and the citron, and many
other splendid plants, the very names of which you perhaps never heard
of; yet he had the liberality to admire what he justly deemed beautiful,
even in a northern clime, and a comparatively harsh mountainous
district.” As to the harp, whenever he praised its melody, she declared
it odious and unbearable, and gave preference to the fiddle, the
bagpipes, or even the hurdy-gurdy; and the Welsh female costume she
protested still more loudly against, and asked him with a sneer if he did
not conceive it capable of improvement. “Oh, certainly, my dear,” would
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