The Adventures and Vagaries of Twm Shôn Catti: Descriptive of Life in Wales: Interspersed with PoemsPrichard, T. J. Llewelyn (Thomas Jeffery Llewelyn)
General
The Adventures and Vagaries of Twm Shôn Catti: Descriptive of Life in Wales: Interspersed with Poems
Prichard, T. J. Llewelyn (Thomas Jeffery Llewelyn)
Jones, Thomas, approximately 1530-approximately 1620 -- Fiction
Having considerably distanced his pursuers, he stopped at length, at
Catti’s request, who complained sadly of being sorely bumped upon the
buckle of the crupper. Dexterously turning to a bye-road towards the
church, he was soon perceived and followed by the party, and altogether
they soon arrived at their journey’s end, and alighting, they entered the
sacred fane with due decorum. Evans the curate, to enhance his own
services and increase his importance, took care to damp their hilarity by
keeping them waiting full three quarters of an hour, before he made his
appearance; and when he came, his looks and demeanor partook more of the
rigid priest of Saturn, than of the heart-joining, bliss-dispensing
Hymen. Although the conduct of every individual was perfectly decent, he
very sternly rebuked their smiles and happy looks, and actually
threatened not to perform the marriage ceremony, until, alarmed at the
menace, and indignant at his conduct, they all became perfectly joyless,
and most orthodoxically gloomy. The indissoluble knot was soon tied; and
no longer dependant on the good offices of the magisterial churchman,
their spirit of joyousness burst forth, while in the churchyard the
mellow harp of Ianto Gwyn was playing the sprightly air of _Morwynion
Glân Meirionydd_, or the Fair Maidens of Merionethshire; while many of
the party joined in the words which belong to that beautiful and
animating tune. Suddenly changing the air, the eccentric harper struck
up “Megen has lost her garter,” which was succeeded by “Mentra Gwen,” and
a string of such national melodies, equally gay and appropriate. After
the marriage, they returned in much the same order, or rather disorder;
with the difference that the bride sat behind her husband, instead of her
father: the harper playing the whole time, and many sweet voices joining
in the words of the airs. They soon entered Catti’s house, where her
sister Juggy had provided a good dinner, of which all partook, cost free,
except that every one had to pay for their own ale, the females of course
being treated. In the course of the evening, jigs, reels, and country
dances, were successively gone through with much spirit. Catti danced
with considerable agility; but Jack, pressed on all sides, and at length
compelled to make one, in a country dance, shewed every indication of
this being his virgin attempt at “the poetry of motion;” and alternately
stumping and blowing, while copious streams ran down his rugged forehead,
as they every instant corrected his erratic course, and literally pushed
him down the dance, he vowed that this his first, should also be his last
exhibition on the “fantastic toe.” Young Twm, who had been playing at
sweethearts, with little Gwenny Cadwgan on his knee, to the great mirth
of his seniors, soon brought her out to try her foot in the dance with
him. The poor little wench, blushing scarlet deep, made her first essay
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account