“Here and there along the route we were stopped by sentries or guards,
but at last gained the top of the hill. Here, encircled by trees, was a
flat table top or plateau a few acres in extent.
“Rising on the plateau was a series of three square terraces
culminating in a small ruined building, roofless yet sound as to its
walls. The lowest plateau was packed with Indians; on the second were
congregated the elect--the tribal seniors and the priests. Above them a
figure or two moved in the building.
“My friends took some time explaining my presence, and it was obvious
that I was regarded with dark disfavour by the mass of the natives.
Soon it dawned on me that I was under guard, an unobtrusive guard, but
nevertheless under guard. At last I was taken to the high priest of the
ceremonial.
“He was a wonderful old Indian who spoke the accented Latin Spanish of
forgotten generations. He examined me, and though I could not reply to
certain mysterious ritualistic questions that he put to me, he was at
length satisfied that I had an efficient working knowledge not only
of his ritual but of its underlying astronomical and philosophical
significance. Eventually he was satisfied, and on a word from him I
was taken in hand by two native youths who bound a fillet of red-dyed
wool worked with feather devices round my brow and gave me a peeled
rod surmounted by a vulture’s skull to hold as a wand of office. Over
my clothes was put a loose dark brown cotton robe sewn with charms and
trimmed at each shoulder with tufts of sombre plumage.
“Thus dressed I took my place among the elders. For a while nothing
happened, then slowly the noise of the crowd died down and expectancy
gave place to clamour. From somewhere in the forest came the sudden
rhythm of native drums seemingly casual, inopportune, and meaninglessly
cadenced.
“Little by little the monotony of the drum throbbing became more
insistent, more definitely rhythmical. A brazier in the temple building
began to glow red, and far below in the valley mists we could see a
group of flaring torches dancing like fireflies as their bearers scaled
the difficult trail.
“Suddenly the voice of the chief priest rose in a high-pitched wailing
call, and as he hailed, a new and brilliant star seemed to spring into
being over the dark crest of a nearby hill.
“The assemblage bowed to the star and broke into a wailing Indian chant
that kept time to the beating of the hidden throbbing drums.
“After the prayer came the dance. To the centre of the second terrace
bearers carried what looked like a bundle of blankets; then nude
but for feather adornments, the young initiates came forward in
processional dance. Every tenth man held a torch, and the dancers
carried out a long ballet symbolical of the burial or consumption of
the mortal body of the vultures.
Public-domain text, read in full here on John Shaqi.
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