“They hopped grotesquely like the ill-omened zopilotes or scavenger
vultures they initiated. A querulous clucking accompaniment was uttered
by the chorus of spectators and the files of bronze bodies advanced and
retreated, swayed and circled in slow-hopping processions around the
blanketed heap upon the ground that represented the body.
“Suddenly the drum rhythm changed and a curious whistling pipe music
was heard. The heap of blankets stirred and rattled, from the heap
an arm flung out white bones, a skull rolled to the feet of the
spectators, then the blankets were flung aside and an Indian youth,
completely nude, but painted white and marked with ritual signs, leapt
from the pile.
“Rising to his full height he donned a towering feather headdress of
humming bird and quetzal feathers which gleamed like a myriad jewels in
the torchlight.
“Three times the spectators claimed him as the risen God, then the
drums broke out into a violent triumphant dance in an infectious
measure in which both dancers and spectators joined.
“In the meantime a cloth or canvas housing had been drawn over the
roofless temple by minor priests. The brazier was carried inside, and
suddenly the Boy God, leaving the dancers, ascended the steps and
entered the prepared pavilion.
“As suddenly the drums fell silent and the shrill pipes alone kept up
the eerie tune.
“My friend touched me on the shoulder, the seated elders rose, and,
following the high priest, we made our way into the sanctuary.
“Ranging ourselves along the walls we sat down in an open square. In
the centre was the youth stretched on a skin-covered native bedstead,
at its head the brazier.
“Swiftly the door was sealed with skin mats; then to the accompaniment
of a muttered ritual and much raising and lowering of skull-tipped
wands, the priest cast herbs into the brazier. The heavy smoke wreathed
about in the close room and a sense of languor fell upon me.
“Right and left I could hear the elders inhaling the vapour, then one
after another they succumbed to its influence. Then came an invocation
to the spirits, and the old men began to talk to spirits that they
alone could see among the hazy, drug-laden smoke of the lodge.
“As if inspired, the boy uttered oracular wisdom, now answering
questions put to him, now declaiming what he had heard the spirits
say. Slowly the drug gained in its effect over me. The painted leather
screens on the rude walls became instinct with life, the crude stone
carving seemed alive and writhing, and all the air seemed charged with
flashing processions of colours and sonorous music.
“I must have been overcome by the fumes, for I remember nothing more
till I came to in the dawn-light in one of the terraces outside the
building. They gave me a calabash of herb-scented goat’s milk to drink,
and in a moment or two my brain cleared.... I made it my interest to
get some of the marihuana herb, which I send you.”
Public-domain text, read in full here on John Shaqi.
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