His friends there were all sitting under the trees before the hotel,
resting rather vacantly after a hard romp. Celia perched high on a root,
her curls against the brown bark, her hat dangling by its elastic from a
forefinger, her lips parted, her eyes vacant. Gerald leaned gracefully
against the trunk. Bobby sat cross-legged on the ground watching
her--and him. Kitty and Margaret reclined flat on their backs, gazing up
through the leaves. Morris alone showed a trace of activity. He had
fished from his pockets the short, blunt stub of a pencil, a penny and a
piece of tissue paper. The latter he had superimposed over the penny and
by rubbing with the pencil was engaged in making a tracing of the
pattern on the coin. Through his preoccupation Bobby at last became
cognizant of this process. He sat and watched it with increasing
interest.
"By Jimmy!" he shouted leaping to his feet.
"What is it?" they cried, startled by the abrupt movement.
"I got to go home," said Bobby.
They expostulated vehemently, for his departure spoiled the even number
for a game. But he would not listen, even to Celia's reproachful voice.
"I'll be back after lunch," he called, and departed rapidly. Duke arose
from his warm corner, stretched deliberately, yawned, glanced at the
children, half wagged his tail and finally trotted after.
Bobby rushed home as fast as he could; broke into the house like a
whirlwind; tore upstairs and, breathless with speed and the excitement
of a new idea, flung himself into the chair before his little table. He
had seen the solution. To the flash of embryonic creative instinct
vouchsafed him, Morris's penny had represented type, the inequalities of
its design were the inequalities of alignment over which he had
struggled so long and the pressure of the pencil and tissue paper
paralleled the imposition of the card on the letters. But in the case of
Morris's penny the type did not conform to the paper and the pressure,
_the paper conformed to the type_.
His brain afire with eagerness, Bobby first stretched several clean
sheets of paper over the platen and clamped them down; then he inked the
type and pressed down the lever. Thus he gained an impression on the
platen itself. At this point he hesitated. On his father's desk down
stairs was mucilage, but mucilage was strictly forbidden. The hesitation
was but momentary, however, for the creative spirit in full blast does
not recognize ordinary restrictions. With his own round-pointed scissors
he cut out little squares of paper. These he pasted on the platen over
the letters whose impression had been too faint. A few moments adjusted
the guides. Bobby inked the type and inserted a fresh card. The moment
of test was at hand.
Public-domain text, read in full here on John Shaqi.
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