Certain it is, the Count’s mother was an Englishwoman, who, after having been five times a widow in one campaign, was, in the last year of the renowned Marlborough’s command, numbered among the baggage of the allied army, which she still accompanied, through pure benevolence of spirit, supplying the ranks with the refreshing streams of choice Geneva, and accommodating individuals with clean linen, as the emergency of their occasions required. Nor was her philanthropy altogether confined to such ministration; she abounded with “the milk of human kindness,” which flowed plentifully among her fellow-creatures; and to every son of Mars who cultivated her favour, she liberally dispensed her smiles, in order to sweeten the toils and dangers of the field. And here it will not be amiss to anticipate the remarks of the reader, who, in the chastity and excellency of his conception, may possibly exclaim, “Good Heaven! will these authors never reform their imaginations, and lift their ideas from the obscene objects of low life? Must the public be again disgusted with the grovelling adventures of a waggon? Will no writer of genius draw his pen in the vindication of taste, and entertain us with the agreeable characters, the dignified conversation, the poignant repartee, in short, the genteel comedy of the polite world?” Have a little patience, gentle, delicate, sublime critic; you, I doubt not, are one of those consummate connoisseurs, who, in their purifications, let humour evaporate, while they endeavour to preserve decorum, and polish wit, until the edge of it is quite worn off. Or, perhaps, of that class, who, in the sapience of taste, are disgusted with those very flavours in the productions of their own country which have yielded infinite delectation to their faculties, when imported from another clime; and d—n an author in despite of all precedent and prescription;—who extol the writings of Petronius Arbiter, read with rapture the amorous sallies of Ovid’s pen, and chuckle over the story of Lucian’s ass; yet, if a modern author presumes to relate the progress of a simple intrigue, are shocked at the indecency and immorality of the scene;—who delight in following Guzman d’Alfarache, through all the mazes of squalid beggary; who with pleasure accompany Don Quixote and his squire, in the lowest paths of fortune; who are diverted with the adventures of Scarron’s ragged troop of strollers, and highly entertained with the servile situations of Gil Blas; yet, when a character in humble life occasionally occurs in a performance of our own growth, exclaim, with an air of disgust, “Was ever anything so mean! sure, this writer must have been very conversant with the lowest scenes of life;”—who, when Swift or Pope represents a coxcomb in the act of swearing, scruple not to laugh at the ridiculous execrations; but, in a less reputed author, condemn the use of such profane expletives;—who eagerly explore the jakes of Rabelais, for amusement,