The Adventures of Ferdinand Count Fathom — Volume 01Smollett, T. (Tobias)
General
The Adventures of Ferdinand Count Fathom — Volume 01
Smollett, T. (Tobias)
Adventure stories; Gothic fiction
Know then, I can despise your pride, while I honour your integrity, and
applaud your taste, while I am shocked at your ostentation.--I have known
you trifling, superficial, and obstinate in dispute; meanly jealous and
awkwardly reserved; rash and haughty in your resentments; and coarse and
lowly in your connexions. I have blushed at the weakness of your
conversation, and trembled at the errors of your conduct--yet, as I own
you possess certain good qualities, which overbalance these defects, and
distinguish you on this occasion as a person for whom I have the most
perfect attachment and esteem, you have no cause to complain of the
indelicacy with which your faults are reprehended. And as they are
chiefly the excesses of a sanguine disposition and looseness of thought,
impatient of caution or control, you may, thus stimulated, watch over
your own intemperance and infirmity with redoubled vigilance and
consideration, and for the future profit by the severity of my reproof.
These, however, are not the only motives that induce me to trouble you
with this public application. I must not only perform my duty to my
friends, but also discharge the debt I owe to my own interest. We live
in a censorious age; and an author cannot take too much precaution to
anticipate the prejudice, misapprehension, and temerity of malice,
ignorance, and presumption.
I therefore think it incumbent upon me to give some previous intimation
of the plan which I have executed in the subsequent performance, that I
may not be condemned upon partial evidence; and to whom can I with more
propriety appeal in my explanation than to you, who are so well
acquainted with all the sentiments and emotions of my breast?
A novel is a large diffused picture, comprehending the characters of
life, disposed in different groups, and exhibited in various attitudes,
for the purposes of an uniform plan, and general occurrence, to which
every individual figure is subservient. But this plan cannot be executed
with propriety, probability, or success, without a principal personage to
attract the attention, unite the incidents, unwind the clue of the
labyrinth, and at last close the scene, by virtue of his own importance.
Almost all the heroes of this kind, who have hitherto succeeded on the
English stage, are characters of transcendent worth, conducted through
the vicissitudes of fortune, to that goal of happiness, which ever ought
to be the repose of extraordinary desert.--Yet the same principle by
which we rejoice at the remuneration of merit, will teach us to relish
the disgrace and discomfiture of vice, which is always an example of
extensive use and influence, because it leaves a deep impression of
terror upon the minds of those who were not confirmed in the pursuit of
morality and virtue, and, while the balance wavers, enables the right
scale to preponderate.
Public-domain text, read in full here on John Shaqi.
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