Certain historical epochs create types of face. This was a period which manufactured many singular visages. None was more strange than that which Mme. Quatre Pattes carried on a body quite as remarkable. François speaks of her over and over in his memoirs, and dwells upon the peculiarities of her appearance. I recall well what he said to me, one evening, of this creature: "You see, monsieur, I went to one den of thieves and another until I chanced upon the Crab. It is not to be described; for here in a little room was a witch, crumpled and deformed, sharply bent forward as to the back from the waist, and—ah, _diablement_ thin! She was cleanly and even neat, and her room was a marvel, because over there in the Cité men were born and lived and died, and never saw a clean thing. And she was of a strangeness—consider, monsieur; imagine you a bald head, and a lean face below, very red, and the skin drawn so tight over the bones as to shine. Her eyes were little and of a dull gray; but they held you. Her lips were lean, and she kept them moving in a queer way as if chewing. I did laugh when first I saw her, but not often afterward." When he confided to this clean and horrible creature what he wanted, she made him welcome. She rattled the two sticks which her bent form made needful for support. She would house him cheaply; but he must be industrious—and to sell a lace handkerchief for ten francs—_tonnerre_! He needed caution. She would be a _bonne maman_ to him—she, Quatre Pattes, "four paws"; the Crab, they called her, too, for short, and because of her red leanness and spite; but what was her real name he did not learn for many a day. At first her appearance excited in his mind no emotion except amazement and mirth. A terrible old crab it was when she showed her toothless gums and howled obscenities, while her sticks were used with strange agility. The quarter feared her. M. François had a fortune in his face, she said; and did he know the _savate_, the art to kick? There was a master next door. And again, what a face! With that face he might lie all day, and who would disbelieve him? Better to fetch her what he stole. She would see that no one cheated him but herself, and that would be ever so little. One must live. When she laughed, which was not often, François felt that a curse were more gay. There were devil-women in those days, as the mad world of Paris soon came to know; and the Crab, with her purple nose and crooked red claws, was of the worst. *VI* _Of how François regained a lost friend, and of his adventure with the poet Horace and another gentleman._