The Adventures of François: Foundling, Thief, Juggler, and Fencing-Master during the French Revolution — John Shaqi
The Adventures of François: Foundling, Thief, Juggler, and Fencing-Master during the French RevolutionMitchell, S. Weir (Silas Weir)
History
The Adventures of François: Foundling, Thief, Juggler, and Fencing-Master during the French Revolution
Mitchell, S. Weir (Silas Weir)
France -- History -- Revolution, 1789-1799 -- Fiction
Tomas replied that there was a free hour before supper, and a little
while somewhere about noon in the garden; also, they must wait on table;
and oh, he forgot the prayers; and then went on to complete the packing
of the day with various small duties in the nature of attentions to the
comfort of Tomas. With some last words as to the time of the next meal,
the steward left them.
The lads, silent and anxious, arranged their small possessions. A
little goldfinch in a wicker cage was Francis’s most valued property; he
had taught it many pretty tricks, and now he had been allowed to bring
it with him. François put the cage on the window-ledge, and fed his
brightly tinted bird from a small store of millet with which he had
filled his pocket. Then he looked out to see what prospect the view
from the attic afforded.
The home of the master-choristers was an ancient house of the days of
Henri IV, and leaned so far over that as the boy looked out he had a
sudden fear lest it should be about to tumble. The street was not more
than twelve feet wide. The opposite dwellings were a full story below
the attic from which the boy looked. The nearest house across the way
had an ancient stoop. Others bent back from the line of the street, and
the open windows gave them a look of yawning weariness which set the boy
to gaping in sympathy.
Above was a mottled wilderness of discolored tiles, chimney-pots, and
here and there gray corner turrets with vanes which seemed to entertain
diverse views as to the direction whence the wind blew. Below was the
sunless well of the street. As he gazed he saw the broad hats of
priests hiding the figures beneath them. It interested the boy. It was
new and strange. He was too intent to notice that all but he had gone,
obedient to an order of Tomas.
A woman at a window over the way let fall a skirt she had been drying.
It sailed to and fro, and fell on the head of a reflective abbé. The
boy broke into laughter. A cat climbed on to a chimney-pot, and was met
by a gust of smoke from the flue beside it. She scrambled off, sneezing.
"What fun!" cried the boy, and laughed again.
"Little beast!" shouted Tomas. "Must I come for thee? ’T is not
permitted to laugh. It is forbid to laugh. It spoils the voice"—a
queer notion which, to his sorrow, the boy found to prevail in the house
of the choristers.
"How can that be?" said François, boldly.
The man gave him to understand that he was to obey his betters without
answering, and then, taking the cage from the window, said: "Come—quick,
too! Thou art late for the dinner, and must do without it. There is a
singing-lesson. Off with thee!"
He was leaving the room when, suddenly, a strange fury of anger came on
the boy. He snatched the cage from the man’s hand, crying, "My bird!
It is my bird!"
Public-domain text, read in full here on John Shaqi.
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