The Adventures of Gil Blas of Santillane, Volume 1 (of 3)Le Sage, Alain René
General
The Adventures of Gil Blas of Santillane, Volume 1 (of 3)
Le Sage, Alain René
Adventure and adventurers -- Fiction; Blas, Gil (Fictitious character) -- Fiction
youthfulness in the matter of the Archbishop of Granada--has passed
into general knowledge. I shall only say that it is perhaps the very
happiest holding up of a mirror to one particular weak place of human
nature that I know. Few people perhaps, save reviewers, who are in
continual receipt of expostulations from the reviewed, know how
eternal is the verity of the presentment. By some unhappy fortune
the particular stanza of the poem, the particular chapter of the
novel, the particular juncture of the plot, which the critic happens
to blame is the very thing that is best in the book. "On n'a jamais
composé de meilleur homélie que celle qui a le malheur de n'avoir pas
notre approbation." This is only an illustration of the supreme
merit of the book--its absolute truth to Nature. But another
illustration may, perhaps, be pardonably given. It has been said, or
hinted, that in the last two volumes Gil Blas is a much better as
well as a much less ridiculous personage than he is in the
first--this is especially the case in the last. Prosperity, age, the
absence of temptation, account for this. But Lesage's unpitying,
because absolutely veracious, talent would not suffer him to turn his
intriguing fortune-hunter into a saint. The ugly episode of the
journey to Toledo, in which the admired minister Olivarez and the
respectable reformed rake Gil Blas play such awkward parts, is an
instance of the truth which is put in the homely phrase Defoe
loved--"What is bred in the bone will not go out of the flesh."
Now-a-days, perhaps, when the naturalist school, in its scorn of the
namby-pamby, rushes into the opposite extreme and will have nothing
but vice and ugliness, such a book as _Gil Blas_ is infinitely more
instructive, as well as more refreshing to read, than all the
rose-pink pictures of impossible virtues and all the half-told tales
of life with the dark side of it kept out of sight that literature
can muster. It will scarcely be pretended by any brisk young
novelist of the nineteenth century that he has more insight than
Lesage, scarcely, either, that Lesage was afraid to say what occurred
to him or that his literary vocabulary and general equipment were
unequal to the task. Yet here is a book as free from cant or from
taint of the _hérésie de l'enseignement_ as any one can desire, and
which yet leaves no bad taste in the mouth, meddles with no abnormal
crimes, and suggests as a total reflexion not merely that all's well
that ends well, but that in most cases with fair luck all does end
fairly well.
Public-domain text, read in full here on John Shaqi.
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