The Adventures of Gil Blas of Santillane, Volume 3 (of 3)Le Sage, Alain René
General
The Adventures of Gil Blas of Santillane, Volume 3 (of 3)
Le Sage, Alain René
Adventure and adventurers -- Fiction; Blas, Gil (Fictitious character) -- Fiction
The improvement of my parts kept pace with that of my carnal
condition in his grace's palace, where I gave a specimen of rising
genius still ringing on the trump of fame at Seville. The pages and
some others of the household had a mind to get up a play on my lord
archbishop's birthday. They chose a popular Spanish tragedy, and,
wanting a boy about my age to personate the young King of Leon, cast
me for the part. The major-domo, a great spouter, undertook to train
me for the stage, and, after a few lessons, pronounced that I should
not be the worst actor of the company. His grace not wishing to
starve so handsome a compliment to himself, no expense was spared in
getting it up magnificently. The largest hall in the palace was
fitted up as a theatre, with appropriate decorations. At the side
scene there was a bed of turf, on which I was to be discovered
asleep, when the Moors were to rush in and take me prisoner. When we
had got so forward with our rehearsals as to be sure of being ready
by the time fixed, the archbishop sent out cards of invitation to all
the principal families in the city.
At length the great, the important day arrived; and each performer
was big with the contrivance and adjustment of his dress. Mine was
brought by a tailor, accompanied by our major-domo, who, after taking
the trouble of drilling me at rehearsal, wished to see justice done
to my outward appearance. The tailor put me on a rich robe of blue
velvet, with hanging sleeves, gold lace, fringe, and buttons: the
major-domo himself crowned me with a pasteboard crown, studded with
false diamonds and real pearls. Moreover, they gave me a sash of
pink silk worked in silver; so that every new ornament was like a
quill-feather in the wing of a bird. At last, about dusk, the play
began. The curtain drew up for my soliloquy, the purport of which
was to express, in a roundabout, poetical way, that not being able to
defend myself from the influence of sleep, I was going to lie down
and take it as it came. To suit the action to the word, I sidled off
to the corner between the flat and the wings, and squatted down on my
bed of turf; but instead of going to sleep, according to promise, I
was hammering upon the means of getting into the street, and running
away with my coronation finery. A little private staircase, leading
under the theatre into the lower saloon, seemed to furnish the
probability of success. I slid away slyly, while the audience were
considering some necessary question of the play, and ran down the
staircase, through the saloon to the door, calling out, "Make way!
make way! I must change my dress, and run up again in a moment!"
They all made a lane, for fear of hindering me; so that in less than
two minutes I got clear out of the palace, under cover of the
darkness, and scampered to the house of my friend who saw gentlemen's
trunks safe on board.
Public-domain text, read in full here on John Shaqi.
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