The Adventures of Gil Blas of Santillane, Volume 3 (of 3)Le Sage, Alain René
General
The Adventures of Gil Blas of Santillane, Volume 3 (of 3)
Le Sage, Alain René
Adventure and adventurers -- Fiction; Blas, Gil (Fictitious character) -- Fiction
We returned to the governor's palace, where we were met by a party of
three or four gentlemen. Besides these mere amateurs, there were two
veteran authors of considerable eminence in their line, and a
gentleman of Madrid with tolerably fair claims to critical authority
and judgment. They had all been at the play. The new piece was the
only topic of conversation during supper-time. Gentlemen, said a
knight of St. James, what do you think of this tragedy? Has it not
every claim to the character of a finished work? Thoughts that
breathe, and words that burn, a hand to touch the true chords of
pity, and sweep the lyre of poetry--requisites how rarely, and yet
how admirably united! In a word, it is the performance of a person
mixing in the higher circles of society. There can be no possible
difference of opinion on that subject, said a knight of Alcantara.
The piece is full of strokes which Apollo himself might have aimed,
and of perplexities contrived so that none but the author himself
could have unravelled them. I appeal to that acute and ingenious
stranger, added he, addressing his discourse to the Castilian
gentleman; he looks to me like a good judge, and I will lay a wager
that he is on my side of the question. Take care how you stake on an
uncertainty, my worthy knight, answered the gentleman with a
sarcastic smile. I am not of your provincial school; we do not pass
our judgment so hastily at Madrid. Far from sentencing a piece on
its first representation, we are jealous of its apparent merit while
aided by scenic deception; our fancies and our feelings may be
carried away for the moment, but our serious decision is suspended
till we have read the work; and the most common result of its appeal
to the press is a defalcation from its powers of pleasing on the
stage.
Thus you perceive, pursued he, that it is our practice to examine a
work of genius closely before we stamp on it the mark of a stock
piece: its author's fame, let it ring as loudly as it may, can never
confound our exactness of discrimination. When Lope de Vega himself
or Calderona ventured on the boards, they encountered rigid critics,
though in an audience which doted on them--critics who would not sign
their passport to the regions of immortality till they had sifted
their claims to be admitted there.
Public-domain text, read in full here on John Shaqi.
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