The Adventures of Gil Blas of Santillane, Volume 3 (of 3)Le Sage, Alain René
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The Adventures of Gil Blas of Santillane, Volume 3 (of 3)
Le Sage, Alain René
Adventure and adventurers -- Fiction; Blas, Gil (Fictitious character) -- Fiction
That is a little too much, interrupted the knight of St. James. We
are not quite so cautious as you. It is not our custom to wait for
the printing of a piece in order to decide on its reputation. By the
very first performance it sinks or swims. It does not even seem
necessary to be inconveniently attentive to the business of the
stage. It is sufficient that we know it for a production of Don
Gabriel, to be persuaded that it combines every excellence. The
works of that poet may justly be considered as commencing a new era,
and fixing the criterion of good taste. The school of Lope and
Calderona was the mere cart of Thespis, compared with the polished
scenes of this great dramatic master. The gentleman, who looked up
to Lope and Calderona as the Sophocles and Euripides of the
Spaniards, could not easily be brought to acknowledge such wild
canons of criticism. This is dramatic heresy with a vengeance!
exclaimed he. Since you compel me, gentlemen, to decide like you on
the fallacious evidence of a first night, I must tell you that I am
not at all satisfied with this new tragedy of your Don Gabriel. As a
poem, it abounds more with glittering conceits than with passages of
pathos or delineations of nature. The verses, three out of four, are
defective either in measure or rhyme; the characters, clumsily
imagined or incongruously supported; and the thoughts have often the
obscurity of a riddle without its ingenuity.
The two authors at table, who, with a prudence equally commendable
and unusual, had said nothing for fear of lying under the imputation
of jealousy, could not help assenting to the last speaker's opinions
by their looks; which warranted me in concluding that their silence
was less owing to the perfection of the work, than to the dictates of
personal policy. As for the military critics, they got to their old
topic of ringing the changes on Don Gabriel, and exalted him to a
level with the under tenants of Olympus. This extravagant
association with the demigods, this blind and stiff-necked idolatry,
divorced the Castilian from his little stock of patience, so that,
raising his hands to heaven, he broke out abruptly into a volley of
enthusiasm: O divine Lope de Vega, sublime and unrivalled genius, who
hast left an immeasurable space between thee and all the Gabriels who
would light their tapers from thy bright effulgence! and thou,
mellow, soft-voiced Calderona, whose elegance and sweetness,
rejecting buskined rant and tragic swell, reign with undisputed sway
over the affections, fear not, either of you, lest your altars should
be overturned by this tongue-tied nursling of the muses! It will be
the utmost of his renown, if posterity, before whose eyes your works
shall live in daily view, and form their dear delight, shall enroll
his name, as matter of history and curious record, on the list of
obsolete authors.
Public-domain text, read in full here on John Shaqi.
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