The rest of the company proceeded to the arsenal, which having viewed, together with some remarkable churches, they, in their return, went to the comedy, and saw the Cid of Corneille tolerably well represented. In consequence of this entertainment, the discourse at supper turned upon dramatic performances; and all the objections of Monsieur Scudery to the piece they had seen acted, together with the decision of the French Academy, were canvassed and discussed. The knight was a man of letters and taste, and particularly well acquainted with the state of the English stage; so that when the painter boldly pronounced sentence against the French manner of acting, on the strength of having frequented a Covent Garden club of critics, and been often admitted, by virtue of an order, into the pit; a comparison immediately ensued, not between the authors, but the actors of both nations, to whom the chevalier and Peregrine were no strangers. Our hero, like a good Englishman, made no scruple of giving the preference to the performers of his own country, who, he alleged, obeyed the genuine impulses of nature, in exhibiting the passions of the human mind; and entered so warmly into the spirit of their several parts, that they often fancied themselves the very heroes they represented; whereas, the action of the Parisian players, even in their most interesting characters, was generally such an extravagance in voice and gesture, as is nowhere to be observed but on the stage. To illustrate this assertion, he availed himself of his talent, and mimicked the manner and voice of all the principal performers, male and female, belonging to the French comedy, to the admiration of the chevalier, who, having complimented him upon this surprising modulation, begged leave to dissent in some particulars from the opinion he had avowed.