Before them was the strange old building which they knew was the convent where Columbus had received such rest, comfort and inspiration in his great enterprise that opened the door to modern civilization. A number of tents were on the south of the house, and soldiers were to be seen standing about, with their heavy muskets, which mean nothing but that their lives are pledged to protect this collection, belonging to the Vatican and the descendants of Columbus. All the royal letters patent from the sovereigns of Spain to Columbus and many letters written by Columbus himself, are in the cases. His will is also there. The signature of Columbus is written in this way: _S._ _S. A. S._ _X. N. Y._ _Xpo Ferens._ At one end of this room is the collection of pictures loaned from the Vatican by Pope Leo. No one is allowed to go up the steps. One of the Columbian guards standing there said, in answer to one of Uncle's questions: "This is the altar. It is sacred and no one is allowed up there, because these pictures are very valuable and very small." The mention of the size in that connection meant that they could be carried off easily. But nothing could be carried off easily with those watchful "regulars" about. A contract was made by Spain with the United States before the collection left there that it should be guarded by a detachment of United States soldiers. That contract is fulfilled to the letter. No one is allowed even to touch the glasses of the case. There are some wonderful pictures on the wall of Musaico Filato, which belong to Pope Leo. They are wonderfully beautiful as pictures, without thought of the thousands of tiny mosaics used in making the pictures, and that each one was placed in by hand. Some of the other pictures are wonderful, too--wonderful in their hideousness. No two artists seem to have the same idea of the features of Columbus. There seemed to be but one thing that they agreed upon fully, and that was that Columbus wore his hair chopped off on his neck. There is a great likeness there. Ferdinand and Isabella looked painfully disturbed on being trotted out at this World's Fair, and just exactly as if they never could have agreed on allowing Columbus or any one else to discover us. Some of the pictures were not numbered, and some of them had two numbers. The young lady who sold catalogues said they would be all right after a while. "Say, can you tell me--is these 'ere things all Columbus' works--did 'e do 'em all?" asked Uncle. "No, it is the history of his life." "Didn't he do any of 'em?" When the young lady shook her head, Uncle walked away, disappointed. He knew just what it was to dig and toll down on his farm, and he could gauge greatness only by labor. And if Columbus did not do any of it, paint any of the pictures, or build the convent, he could not understand what had made them go to so much expense to build the old convent when a good picture for a few dollars would serve just as well.