The Adventurous Life of a Versatile Artist: HoudiniUnknown
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The Adventurous Life of a Versatile Artist: Houdini
Unknown
Houdini, Harry, 1874-1926; Magicians -- United States -- Biography
But, to be brief, admitting the possibility of the happening of any of
these suppositious instances, and you will gain a clear idea of the
extraordinary character and quality of Houdini's powers. It is often
the best way to see the full scope of a cause by carefully ascertaining
its effect. This analytical method is equally applicable to Houdini,
and recognizing the harm he would receive were his secrets confided to
unworthy hands, you gain an adequately impressive idea of the enormity
of responsibility that rests upon him.
Time and time again Houdini has encountered such perils, and in every
case he owes his life and the preservation of his secret to his
extraordinary acuteness of perception, to his marvelous knowledge of
human nature, to his physical prowess that is far greater than appears
from a merely superficial inspection, and, last and greatest of all, to
the fact that the majority of people witnessing his wonders attribute a
quasi supernatural power.
His press clipping books teems with stories proving the truth of one
and all of these assertions. To glance over its pages enchains the
reader's attention more closely that if he were absorbing an exciting
romance. Accounts of thrilling jail-breaking feats are pasted beside
stirring chronicling of handcuff escapes. Columns upon columns of
laudatory press criticisms crowd colored cartoons and caricatures that
connect Houdini and the great men of Europe in the great political
crisis of the last few years.
It being true "that genius is but the capacity for hard work," then it
is only a proper introductory tribute to Houdini to state that he is
not a mushroomgrowth, sprouting and decaying in a night.
In the development and perfection of his astounding powers over
metallic components Houdini has labored as tirelessly as Galileo
constructing his astronomical theory, as Stephenson building the first
locomotive, as Edison bringing to view the telephone, as Marconi
revealing the wireless telegraph.
"How does he do it?" is the universal query.
Of course, he does not, he dare not tell what exertions of power,
natural or supernatural, he makes in freeing himself from handcuffs,
and in escaping from the dungeons that have held felons until the grave
finally hid them forever.
Guesses are multiplied many, many times by all sorts and conditions
of men and women. As many theories have been propounded as there are
stars in the firmament. Some say he slips out of handcuffs like an
eel slipping through an amateur fisherman's fingers. Others say he
manipulates cell locks by muscular magnetism. A third class declares
that he squeezes himself through bars of cells. Still more say spirits
aid him in his escapes. And so, ad infitum.
Suffice it is to say that Houdini actually does all that the newspapers
credit him doing.
Public-domain text, read in full here on John Shaqi.
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