The Adventurous Life of a Versatile Artist: Houdini — John Shaqi
The Adventurous Life of a Versatile Artist: HoudiniUnknown
History
The Adventurous Life of a Versatile Artist: Houdini
Unknown
Houdini, Harry, 1874-1926; Magicians -- United States -- Biography
The two attendants pressed close. His arms were inserted in the long,
closed sleeves of the straitjacket. One of the attendants clasped him
about the body, as if fearing he would make some mad effort to escape.
The other standing behind him, fastened strap after strap, with a
steady deftness that made both for security and speed, and revealed
long practice.
"Make it tight," came the quiet word from the prisoner.
The man's knees went up for purchase in the small of Houdini's back.
Using apparently every ounce of strength in his broad-shouldered
six-foot body, the attendant drew the big strap through the buckle
until it would not yield even a sixteenth of an inch more. He caught it
there and made it fast.
Then the arms of the prisoner were crossed over his body, and the ends
of those closed sleeves were brought around in back. Again the knee was
brought into use. Again the strap was pulled to its highest tension.
The crowd watched, stirred with a constant murmur and movement.
Then Houdini's ankles were fastened to the rope, by a special appliance
that prevented injury, but insured safety.
A word was spoken. The two attendants seized the bound man's body.
Workmen drew the rope steadily through the pulleys. Houdini's feet went
up, and as his body cleared the platform, it was released.
HANGS IN MID-AIR
The handcuff king dangled head downward. Each moment he was drawn
higher, swaying slightly, spinning dizzily. Up-up, past the windows in
the fifth story of the Sun building. Houdini was drawn.
Then he hung still.
Only for a second. While watchers gleamed in the crowd below, the
handcuff king was seen to struggle, not frantically, but with a
steady, systematic swelling and contracting of muscles, and almost
imperceptible lithe, wrigglings of the torso.
The struggle went on. One minute--two--then three----
Would he do it? Hundreds in the crowd undoubtedly were asking that
question. From above came an inarticulate shout. The muffled arms
writhed one after another over Houdini's head. His hand, still encased
in the sleeves of the strait-jacket, fumbled quickly and effectively
with the buckles at his back. Another contortion and the strait-jacket
slipped down over his chest, over his head, and was flung from his arms
to the street, in a crumpled heap.
Houdini was free.
The arms waved. Houdini had triumphed--as he always triumphs.
Less than a minute later, while the crowd's cheers still rang against
the grey walls of surrounding buildings, he slipped down the face
of the building to the platform. The attendants received him in a
twinkling, and he stood erect, unconsciously throwing back his broad
shoulders.
The little man with the touch of grey at his temples bowed quietly,
still with that imperturbable smile. And the crowd cheered him again,
before it began slowly to dissolve.
Houdini duplicated this feat at the Boston Post, Boston, Mass.,
December 22, 1921, drawing the biggest crowd that ever crushed into
Tremont Street.
Public-domain text, read in full here on John Shaqi.
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