_Chap. xxii._: Further sequel of the above story, and how Simon Meron left the island and this life, and how Simplicissimus remained the sole lord of the island _Chap. xxiii._: In which the hermit concludes his story and therewith ends these his six books APPENDIX B APPENDIX C "Continuatio," _chap. xiii._: How Simplicissimus in return for a night's lodging, taught his host a curious art [Illustration: Frontispiece of the First Edition from the Ducal Library. Wolf Buettel.] INTRODUCTION The translation here presented to the public is intended rather as a contribution to the history, or perhaps it should be said the sociology, of the momentous period to which the romance of "Simplicissimus" belongs, than as a specimen of literature. Effective though its situations are, consistent and artistic though its composition is (up to a certain point), its interest lies chiefly in the pictures, or rather photographs, of contemporary manners and characters which it presents. It has been said with some truth that if succeeding romancers had striven as perseveringly as our author to embody the spirit and reflect the ways of the people, German fiction might long ago have reached as high a development as the English novel. As it is, there is little of such spirit to be discovered in the prose romances which appeared between the time of Grimmelshausen and that of Jean Paul Richter. But the influence of the latter was completely swept away in the torrent of idealism by which the fictions of the idolised Goethe and his followers were characterised, and his domestic realism has only of late made its reappearance in disquieting and sordid forms.