Such being the purpose for which this translation has been undertaken, an Introduction to it must necessarily be concerned not so much with the bibliography of the book or even the sources, if any, to which the author was beholden for his material, as with his own personality and the amount of actual fact that underlies the narrative of the fictitious hero's adventures. In respect of the first point, we are presented with a biography almost as shadowy and elusive as that of Shakespeare. In many ways, indeed, the particulars of the lives of these two which we possess are curiously alike. Both were voluminous writers; both enjoyed considerable contemporary reputation; and in both cases our knowledge of their actual history is confined to a few statements by persons who lived somewhat later than themselves, and a few formal documents and entries. In Grimmelshausen's case this obscurity is increased by his practice of publishing under assumed names. In the score of romances and tracts which are undoubtedly his work, we find only two to which his real name is attached. He has nine other pseudonyms, nearly all anagrams of the words "Christoffel von Grimmelshausen." Of these, "German Schleifheim von Sulsfort" and "Samuel Greifnsohn vom Hirschfelt" are the best known; the latter being the name to which he most persistently clung, and under which "Simplicissimus" was published, though the former appears on the title-page as that of the "editor." Only as the signature to a kind of advertisement at the end do we find the initials of "Hans Jacob Christoffel von Grimmelshausen," his full name. Until the publication of a collection of his works by Felsecker at Nuremberg in 1685, the true authorship of most of them remained unknown. But that editor, by his allusions in the preface, practically identified the writer as the "Schultheiss of Renchen, near Strassburg," whom he seems to have known personally. The reasons for anonymity were, no doubt, firstly, the fact that "Simplicissimus" at least dealt with the actions of men yet alive; and secondly, with regard to the other books, the continual references to details of the author's own life and opinions. His dread of offending a contemporary is shown by his disguising of the name of St. André, the commandant of Lippstadt, as N. de S. A. of L. (bk. iii., chap. 15).