Aeneas (Legendary character) -- Poetry; Epic poetry, Latin -- Translations into English
'But the inner house is stirred with shrieks and misery and confusion,
and the court echoes deep with women's wailing; the golden stars are
smitten with the din. Affrighted mothers stray about the vast house, and
cling fast to the doors and print them with kisses. With his father's
might Pyrrhus presses on; nor guards nor barriers can hold out. The gate
totters under the hard driven ram, and the doors fall flat, rent from
the hinge. Force makes way; the Greeks burst through the entrance and
pour in, slaughtering the foremost, and filling the space with a wide
stream of soldiers. Not so furiously when a foaming river bursts his
banks and overflows, beating down the opposing dykes with whirling
water, is he borne mounded over the fields, and sweeps herds and
[499-529]pens all about the plains. Myself I saw in the gateway
Neoptolemus mad in slaughter, and the two sons of Atreus, saw Hecuba and
the hundred daughters of her house, and Priam polluting with his blood
the altar fires of his own consecration. The fifty bridal chambers--so
great was the hope of his children's children--their doors magnificent
with spoils of barbaric gold, have sunk in ruin; where the fire fails
the Greeks are in possession.
'Perchance too thou mayest inquire what was Priam's fate. When he saw
the ruin of his captured city, the gates of his house burst open, and
the enemy amid his innermost chambers, the old man idly fastens round
his aged trembling shoulders his long disused armour, girds on the
unavailing sword, and advances on his death among the thronging foe.
'Within the palace and under the bare cope of sky was a massive altar,
and hard on the altar an ancient bay tree leaned clasping the household
gods in its shadow. Here Hecuba and her daughters crowded vainly about
the altar-stones, like doves driven headlong by a black tempest, and
crouched clasping the gods' images. And when she saw Priam her lord with
the armour of youth on him, "What spirit of madness, my poor husband,"
she cries, "hath stirred thee to gird on these weapons? or whither dost
thou run? Not such the succour nor these the defenders the time
requires: no, were mine own Hector now beside us. Retire, I beseech
thee, hither; this altar will protect us all, or thou wilt share our
death." With these words on her lips she drew the aged man to her, and
set him on the holy seat.
Public-domain text, read in full here on John Shaqi.
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