“Such exercises are continued daily: at first only one single
wing-beat succeeds, and before the wings can be raised for the
second beat, the long, cautiously placed legs are again touching
ground. But as soon as this stage is passed, _i.e._ when a second
wing-beat is possible without the legs touching the ground,
progress becomes very rapid, because the increased forward
velocity facilitates flight, and three, four, or more double beats
follow each other in one attempt, maybe awkward and unskilled, but
never attended by accident, because of the caution exercised by
the bird.”
Lilienthal was fascinated by the mechanism of the bird’s wing. He and
his brother built one machine after another to determine the exact
amount of lifting effort that a man could obtain by imitating the
wing-beat of a bird. One such apparatus is illustrated in Fig. 19. This
had a double set of wings; a wide pair in the centre and narrower ones
in front and at the rear. These wings beat alternately, by movements of
the operator’s legs; and the machine was suspended by a rope and pulleys
from a beam, being counterbalanced by a weight. The tests showed this:
that, after some practice in working the wings, a man could raise with
them just half the weight of himself and of the machine; but the
muscular effort proved so great that he could only maintain this rate
of wing-beating for a few seconds. Here, incidentally, a fact may be
mentioned: the energy a man can produce, at all events for a prolonged
effort, has been estimated at about a quarter of a horse-power; and
this--in tests so far made--has been insufficient for the purpose of
wing-flapping flight. Lilienthal himself thought that, with some perfect
form of apparatus, a man might fly with an expenditure of 1·5 h.p. of
energy; but other experimenters have put the minimum power necessary,
even if mechanism could be devised, at 2 h.p. And another fact must be
remembered: even had Lilienthal been able, with such a machine, actually
to raise himself in the air, he would still have had the problem of
balancing himself, in addition to the working of his wings.
[Illustration: FIG. 19.]
[Illustration: FIG. 20.--Lilienthal Kite.]
Public-domain text, read in full here on John Shaqi.
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