In the upper of the two flights shown, profiting by a day when there
were rising currents in the wind, Lilienthal had allowed himself to be
lifted, for a moment or so, to a point in the air actually higher than
that from which he started. Then, in order to obtain forward speed, he
dived, only to incline his wings more steeply again, and allow the wind
to bear him upward. In this way, by exercising skill in the balancing
of his machine, he was able to prolong a glide, and under favourable
conditions to traverse, before touching ground, a distance through the
air of nearly 1000 feet.
[Illustration: FIG. 25.--Lilienthal’s artificial hill.]
In the second of the glides shown in Fig. 25, Lilienthal is making a
swift, low flight--one of those during which he was never far from the
ground, and with which he contented himself in early tests. On glancing
again at this sketch it will be noted that the upper of the craft shown
has two main sustaining wings, placed one over the other in the girder
construction already described. It is in fact a biplane, whereas the
lower machine is a monoplane--such a craft as was illustrated in Fig.
22. It was when Lilienthal became expert at balancing himself in the air
that he built a machine on the biplane principle. His reason for doing
so was that he required more surface in the sustaining wings, so that
they might carry him farther through the air. What he wanted to do in
each of his glides was to remain in the air as long as possible, and
thus gain a maximum of experience. The difficulty, as explained, was to
obtain enough practice. In five years, for instance, although assiduous
in his experiments, Lilienthal was not more than five hours in the air.
[Illustration: FIG. 26.--Lilienthal’s Biplane Glider.]
Thus it was that he built a biplane, each of the wings being 18 feet in
span, and containing 100 square feet of surface. The craft is shown in
Fig. 26. Lilienthal did with it what he expected he would be able to do;
he increased materially the length of his glides. But there were
drawbacks in the use of this machine, and one introduced an element of
danger. With the monoplane, so soon as he made balancing movements by
instinct, Lilienthal found he could control his craft quite well; it was
small, and responded quickly when he threw the weight of his body from
side to side. But the biplane, being considerably larger, and having
more surface upon which the wind could act, was sluggish in its response
to his controlling movements. In the case of both monoplane and biplane,
Lilienthal relied merely upon the weight of his body to counteract
falling movements. In the biplane, therefore, although it required a
greater leverage to restore its balance, he was unable to increase the
correcting influence. This difficulty, in the use of a large machine,
was faced subsequently by the Wrights, and how they solved it will be
shown.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account