During my five minutes of probation much business was transacted.
Trembling writers of scenarios entered, left their manuscripts, and
passed out. Girls with handfuls of documents minced in and out passing
from one department to another, and each carried herself with the air of
a film queen. Hasty young men registering "urgent business" passed
through with the air of a Douglas Fairbanks or Dustin Farnum. Their
well-tailored coat-tails streamed back like the robes of Hyperion when
"His flaming robes streamed out beyond his heels
And gave a roar as if of earthly fire."
Suddenly I heard the snap of a gold watch-case and an authoritative arm
shot out, pointing to the door through which the main traffic was
passing.
"Down to the far end! Turn to the left!--Room Umpty-Umph!"
Rising as if from a catapult I fell in step behind a hasty edition of
Fatty Arbuckle. When I reached the properly numbered door and opened
it, I was met by a man who knew my name and business. He registered
"welcome" and waved me to a chair. I accepted the courtesy and
registered "attention." He bounced back into his swivel chair and
registered "candor." And he was astonishingly candid.
Movie plays are a purely business proposition. It made him sick to have
people talk about ideals and art in connection with them. It was their
business to give the public stories that would grip them and make them
want to see the shows. If the people felt like hating any one or
anything, give them plenty of hate stuff and play it up as long as it
fills the houses. It is not their business to educate. They are
practical business men, out after money.
He presently interrupted his monologue to answer the telephone, which
had jingled at his elbow. I suspect that the interruption was part of
the routine of the office. Anyway, I got my cue. He was to see his next
visitor in five minutes. Resuming his monologue he impressed on me the
fact that the one thing the movie firms are after is stories that will
grip the public and make them give up their money.
Then I got up and registered "gratitude" while he registered "Don't
mention it." We did a close-up hand-shake and I passed through the door.
Returning toward the front entrance I was quite in accord with the
spirit of the place and pranced like a horse with the spring-halt.
Public-domain text, read in full here on John Shaqi.
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