Watch the drama while it unfolds. For weary months the men who are
struggling with nature toil early and late, pit their skill against all
the forces that oppose them, endure the droughts and storms and struggle
against all the chances that might defeat them in producing the world's
food. They are too busy to watch the drama. Often they are too busy for
thought. All of them have hopes that may be fulfilled if the crops are
good--little hopes compared with those of the men who are waiting in the
wings for their cues. If things turn out well they may be able to put by
something for the future, enjoy an excursion out into the amazing world,
indulge in some coveted luxury or improve their homes and farms. But
most of them will have to be satisfied with ordinary food, shelter, and
clothing--just sufficient to carry them and their families through the
winter until the great drama is staged again. But before they are sure
of anything they must gather in their harvest and market it. Now begins
the joyous comedy--the uproarious fun. The banks provide the
counters--money--for "moving the crops." Loans are repaid to them with
interest, and they thrive. Transportation companies, almost all built by
the money of the people, though not owned by them, move the crops--and
there is a golden stream of dividends. Middlemen, as "efficient" as
pickpockets, handle the food of the world over and over, and at every
turn profits are made. But it would be impossible in a brief review to
trace the food from the farm to the table of that other poor dupe, the
city laboring man. It reaches his table finally at famine prices. His
food is assured and the great comedy of life can proceed. The profit
gatherers, who work with the villain of the piece, Uncontrolled
Capital, have their wealth as well as their food supply renewed, and
they can revel and riot. All the arts flourish and the cities grow
proud. The world is safe for another year, and then the performance will
be repeated as it has been since the world began.
Public-domain text, read in full here on John Shaqi.
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